tag:blogger.com,1999:blog-56802100249948124332024-03-13T12:14:37.613+01:00giardini ribelliGiardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.comBlogger86125tag:blogger.com,1999:blog-5680210024994812433.post-5562761766072916902013-02-01T08:05:00.001+01:002013-02-01T08:05:58.917+01:00Appartamento per uccelli, Nendo / Bird-apartment by Nendo<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.nendo.jp/works/data/pic/292/01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://www.nendo.jp/works/data/pic/292/01.jpg" width="427" /></a></div>
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<span style="background-color: white;"><span style="color: #444444;">Dalla prolifica creatività della firma giapponese Nendo nasce questa casa sull'albero per il Centro Ando Momofuku, una struttura che si dedica a promuovere il contatto dell'uomo con la natura. Il Centro si trova all'interno di un bosco vicino alla città di Komoro, nella prefettura di Nagano. La casa sull'albero di Nendo è pensata come una casa che l'uomo e gli uccelli possano condividere: da un lato, infatti, si trovano 78 accessi alle piccole casette per i volatili mentre, dall'alto, una persona può accedere attraverso una scala a pioli e osservare gli animali mentre si trovano nel loro nido </span></span><span style="color: #999999;"><i>/ UnstoppableJapanese design firm Nendo designed this treehouse for the Ando Momofuku Center, a facility devoted to
promoting and increasing access to nature activities. The facility is
located in a forest in Komoro City in Japan's mountainous Nagano
Prefecture. Their treehouse is collective housing for many birds and one
person. On one side, the treehouse has entrances to 78 nest spaces for
birds. The other side has an entrance for one person, who can look into
the birds' nests from inside the treehouse. Nendo’s work is characterized by a playfulness and an apparent formal simplicity, which
is actually deceptive because the products are usually born byan extremely
complex process. The simplicity of Nendo's work recalls the ancient Japanese tradition whose roots date back to 1400s and had an important influence on the development of the Western Modernism (as stated by the famous postcard Le Corbusier sent to Walter Gropius in 1954 saying "All what we have been fighting for has its parallel in old Japanese culture"). To a foreign eye, the lightness and simplicity of Nendo’s work evokes
the minimalist tradition of Japanese design, which dates to the late
1400s and was a defining influence on Western Modernism. But those
qualities are softened by its childlike humor, which seems closer in
spirit to Japanese popular culture than to the rationalism of modernist
grandees, like the late Sori Yanagi and Naoto Fukasawa.“My designs are very simple and very minimal, but I don’t want them to
be too cold,” Mr. Sato explained. “I like them to have a friendliness
and playfulness, and a sense of humor. And my starting point is always
the story behind the object.” </i></span></div>
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Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-43095547311665060232012-12-24T08:00:00.000+01:002012-12-24T08:00:09.734+01:00Buon Natale / Merry Christmas<div class="separator" style="clear: both; text-align: center;">
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Buon Natale / Merry Christmas / Feliz Navidad / Bon Nadal / Joyeux Noël / God Jul / Rauhallista Joulua / Glædelig jul / Gelukkig kerstfeest / Feliz Natal / Frohe Weihnachten /</div>
<br />Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-31860299531852667542012-12-20T08:00:00.000+01:002012-12-20T13:40:42.286+01:00Scultura organica nel paesaggio / Site-specific organic sculpture<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Courier New",Courier,monospace;">Lo studio <a href="http://www.numen.eu/home/news/" target="_blanK">Numen / For Use</a> ha creato una scultura organica per celebrare i dieci anni di <a href="http://www.z33.be/en" target="_blanK">Z33</a>. L'installazione <i>Tape Z33</i>
è stata realizzata utilizzando strati sovrapposti di nastro adesivo
trasparente avvolti intorno a una struttura leggera di supporto. L'idea è
nata come scenografia per una performance di danza, dove il movimento
fluido dei ballerini dava origine a una coreografia 'fisica' fissata con
del nastro adesivo. Il concept iniziale si è via via sviluppato fino a
dare vita a una struttura architettonica scultorea molto più solida. Il
nastro è stato avvolto in maniera caotica creando un piano
bidimensionale che man mano è stato curvato fino a ottenere una forma
tridimensionale <i>site-specific</i>.
I progettisti ne parlano così: "Il progetto di <i>Tape Z33</i> nasce da
un altro esperimento che abbiamo fatto per la realizzazione di strutture
temporanee in situazioni di emergenza. La sua flessibilità lo rende
adattabile a qualsiasi tipo di luogo. Possono essere utilizzati alberi
già esistenti o strutture portanti leggere aggiunte in un secondo
momento, dando alle persone la possibilità di entrare in una sorta di
ragnatela sospesa. La grande quantità di piante presenti nel sito di Z33
ci è sembrato ideale per realizzare un elemento così organico che si
inseriva perfettamente nel paesaggio autunnale."Per costruirlo i progettisti hanno lavorato per fasi, tirando il nastro
prima in linea retta e poi in diagonale, in modo da creare una rete.
L'interno della struttura è elastico e non segue un progetto fatto a
tavolino, ma il dinamismo naturale del luogo. / <span style="color: #999999;"><i>Croatian-Austrian design collective <a href="http://www.numen.eu/" target="_blank">Numen / For Use</a> have created a new iteration of their Tape installation at the <a href="http://www.z33.be/en" target="_blank">Z33 House for Contemporary Art</a> in Hasselt, Belgium, on the occasion of the institution's tenth anniversary. Continuing on the series that <a href="http://www.numen.eu/installations/tape-vienna-attic/" target="_blank">first originated at the Vienna Design Week</a>
in 2009, the collective has created a sculptural structure suspended
between the trees, built entirely with transparent tape. The structure
can be entered and experienced by visitors, and evokes the idea of a
large-scale spiderweb.
"The idea for the installation originates in a set design concept for a
dance performance in which the form evolves from the movement of the
dancers between the pillars," states the Numen / For Use. "The dancers
are stretching the tape while they move, so the resulting shape is a
(tape) recording of the choreography." The structure's final for, was
"found", according to the collective, through the act of wrapping in a
chaotic, unplanned way, transforming a two-dimensional material into a
three-dimensional shape. "The installation was envisaged as a site
specific, parasitical structure invading an arbitrary location," Numen /
For Use remark. "The straight lines of main trajectories are stretched
across a given area and these tendons are then wrapped diagonally with
layers of elastic tape, giving shape to a complex organic form through a
process similar to the emergence of such structures in nature."
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<a href="http://www.domusweb.it/it/news/" target="_blank"><u><span style="color: #0000ee;">Via Domus</span></u></a>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com1tag:blogger.com,1999:blog-5680210024994812433.post-17008077320929995842012-12-14T10:00:00.000+01:002012-12-14T10:00:48.535+01:00Il Museo degli Alberi di Zurigo / The Tree Museum in Zurich<div style="text-align: justify;">
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<span style="font-family: "Courier New",Courier,monospace; font-size: large;"><span style="color: #444444;"><span class="Apple-style-span"><span class="Apple-style-span">Il Museo degli Alberi, fuori Zurigo, raccoglie una incredibile collezione di circa 2000 specie diverse di Alberi. Il museo è stato progettato e costruito dall'architetto svizzero </span></span></span></span><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: arial;"><span style="font-family: "Courier New",Courier,monospace;"><span style="color: #999999;"><span style="color: #444444;"><a href="http://www.enea.ch/?l=en" style="text-decoration: none;" target="_blank"><span class="Apple-style-span"><span class="Apple-style-span">Enzo Enea</span></span></a><span class="Apple-style-span"><span class="Apple-style-span"> con l'aiuto di </span></span></span><span class="Apple-style-span"><span class="Apple-style-span"><span style="color: #444444;"><a href="http://www.oppenoffice.com/index2.htm">Oppenheim Architecture + Design (OAD</a></span><span style="color: #444444;"><a href="http://www.oppenoffice.com/index2.htm">)</a></span><span style="color: #444444;"> e si trova nel sito di un monastero del XIV secolo e costituisce la collezione privata del paesaggista, realizzata nei 17 anni di professione. L'innovazione di Enea non si limita solo al pensiero di realizzare un museo per i suoi alberi, quanto nel mutare la storica relazione tra il costruito e l'ambiente circostante: gli edifici diventano qui lo sfondo per esibire gli alberi, la cui essenza scultorea è ulteriormente sottolineata da grandi lastre di pietra arenaria.</span></span></span></span></span></span></span><span style="font-size: large;"><i><span style="color: #999999;"><span class="Apple-style-span"><span class="Apple-style-span"><span style="font-family: arial;"> </span></span></span></span></i></span></div>
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<span style="font-family: "Courier New",Courier,monospace; font-size: large;"><i><span style="color: #999999;"><span class="Apple-style-span"><span class="Apple-style-span"><span style="font-family: arial;">/ </span>The Tree Museum opened outside of Zurich in Rapperswil-Jona, Switzerland, showcasing an incredible collection of 2,000 different species of trees. Designed and built by Swiss landscape architect </span></span><a href="http://www.enea.ch/?l=en" style="text-decoration: none;" target="_blank"><span class="Apple-style-span"><span class="Apple-style-span">Enzo Enea</span></span></a><span class="Apple-style-span"><span class="Apple-style-span"> with the help of</span></span><a href="http://www.oppenoffice.com/index2.htm" style="text-decoration: none;" target="_blank"><span class="Apple-style-span"><span class="Apple-style-span"> Oppenheim Architecture + Design (OAD)</span></span></a><span class="Apple-style-span"><span class="Apple-style-span">, who designed Enzo Enea’s new headquarters, the museum and the sustainably-built headquarters are located on the grounds of a 14th Century monastery and displays Enea’s personal collection of trees, which he has gathered over the past 17 years. </span></span><br /><span class="Apple-style-span"><span class="Apple-style-span">The
innovation of Enea's approach is not just in creating a museum made of
trees but in changing the common relation between buildings and its
sorrounding landscapd areas. Infact, the headquarters are designed to
act as the perfect backdrop to showcase the trees, exactly 2,000 trees
on 2.5 acres, with a special installation of about 50 species personally
curated by Enea from around the world. Trees are highlighted against
sandstone wall backdrops and include 22 different varieties ranging from
Taxus baccata to English yew, Pinus sylvestris, and Scotch pine. Enea
has collected these trees over the last 17 years during various projects
when trees had to be removed from the site. So instead of getting rid
of them, he kept them and now has his own special museum, where visitors
can view hundreds of trees for a reasonable fee.</span></span></span></i></span></div>
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<a href="http://inhabitat.com/2010/06/15/tree-museum-with-a-collection-of-2000-trees-opens-in-switzerland/"><span style="color: #444444;"><span class="Apple-style-span" style="font-family: arial;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></a></div>
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<a href="http://inhabitat.com/2010/06/15/tree-museum-with-a-collection-of-2000-trees-opens-in-switzerland/"><span style="color: #444444;"><span style="font-size: small;"><span style="font-family: arial;">Via </span></span></span></a></div>
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Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com1tag:blogger.com,1999:blog-5680210024994812433.post-81236885304476183752012-05-29T09:24:00.002+02:002012-05-29T09:24:33.908+02:00La Natura della prospettiva / The Nature of perspective<div style="color: #999999; font-family: "Courier New",Courier,monospace; text-align: justify;">
<span style="color: #444444;">Duranete il Wildcat Fellowship Program del 2008, </span><i><em><a href="http://michaelclydejohnson.com/" target="_blank" title="Michael Clyde Johnson's Website"><strong>Michael Clyde Johnson</strong></a></em></i><span style="color: #444444;"><em><i> </i></em>realizzò un progetto nel bosco dietro la residenza di Peter Martin e Patricia Eakins, in Claryville New York. L'installazione, intitolata "Stanza per prospettiva forzata", porta il visitatore a relazionarsi al paesaggio e alla natura circostante in maniera nuova. Inoltre, proprio l'opera si situa in quel sottile confine che distingue ciò che è una proposta da ciò che è una forzatura, facendoci così su quale sia la natura stessa delle nostre scelte progettuali </span><i>/ The Wildcat Fellowship Program began in 2008 with a summer-long
residency for </i><i><em><a href="http://michaelclydejohnson.com/" target="_blank" title="Michael Clyde Johnson's Website"><strong>Michael Clyde Johnson</strong></a></em></i><i>, who constructed “Room for Forced
Perspective” in the forest behind Peter Martin and Patricia Eakins’s
house in Claryville, NY. Made of wood, paint, and glass, the work has
the following dimensions: front: 96” x 96”; back: 48” x 48”; length:
192.”<em> The work opens visitors to a new perspective of nature but, at the same time, finds its places on the thin line that divides proposals and forced realities, questioning the very nature of design attitude and choices.</em></i></div>
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<br /></div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com2tag:blogger.com,1999:blog-5680210024994812433.post-57745579312627693452012-05-24T08:30:00.000+02:002012-05-24T08:30:03.344+02:00Parco Atlantico Santander / Atlantic Park in Santander<div>
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<span class="long_text" id="result_box" lang="it" style="color: #444444;"><span title="El Parque de la Vaguada de las Llamas (oficialmente Parque Atlántico de las Llamas) es un parque urbano de 11 hectáreas situado en la ciudad de Santander en la comunidad autónoma de Cantabria (España)."></span></span><span class="long_text" id="result_box" lang="it" style="color: #444444;"><span title="El Parque de la Vaguada de las Llamas (oficialmente Parque Atlántico de las Llamas) es un parque urbano de 11 hectáreas situado en la ciudad de Santander en la comunidad autónoma de Cantabria (España)."></span></span><span class="long_text" id="result_box" lang="it" style="color: #444444;"><span title="El Parque de la Vaguada de las Llamas (oficialmente Parque Atlántico de las Llamas) es un parque urbano de 11 hectáreas situado en la ciudad de Santander en la comunidad autónoma de Cantabria (España).">Il
Parco de las llamas è un parco urbano di</span></span><span class="long_text" id="result_box" lang="it" style="color: #444444;"><span title="El Parque de la Vaguada de las Llamas (oficialmente Parque Atlántico de las Llamas) es un parque urbano de 11 hectáreas situado en la ciudad de Santander en la comunidad autónoma de Cantabria (España)."> 11 ettari </span></span><span class="long_text" id="result_box" lang="it"><span style="color: #444444;" title="Desde el Palacio de Deportes hasta el carrizal que recorre el centro de la vaguada, se encuentra un estanque, cuya lámina de agua tiene una profundidad de entre 60 y 90 centímetros.">situato nella città di Santander, nella
comunità autonoma della Cantabria (Spagna). Questo
spazio verde è stato inaugurato l' 11 maggio 2007, ma si può accedere
solo una piccola parte nella parte orientale, perché attualmente non è
completo. La
depressione de las llamas è una zona naturale di 800.000 metri quadrati costituita da una zona periurbana in parte paludosa e in parte lacustre, utilizzata per l'attività agricola ma che è stata utilizzata anche come deposito di rifiuti. Fino
all'inizio del ventesimo secolo, la valle fu occupata da uno dei due estuari principali del
comune di Santander, possedeva un complesso di dune costiere, e il suo
versante settentrionale, che si trova sul lato soleggiato, era
utilizzato per la coltivazione della vite. Con
lo sviluppo urbano della seconda spiaggia de El Sardinero (la spiaggia urbana di Santander) si tagliò, o
meglio soterró, lo sbocco naturale della foce del fiume che sboccava ne El Sardinero,
interrompendo in tal modo le dinamiche di marea che coinvolgevano l'area. Da quel momento, l'unico accesso alla zona furono i piccoli sentieri che, però, non rendevano possibile l'uso pubblico dello spazio così come la fruizione della zona umida
da parte dei cittadini. Il
suo totale abbandono ha portato allo smaltimento incontrollato dei
rifiuti, nonché il riempimento di un settore importante della zona umida con
detriti derivanti dall'industria della costruzione. D'altra
parte, lo escarico di acque reflue, senza alcun pretrattamento,
contribuirono al degrado della qualità delle acque naturali e dell'intero ecosistema. Il
terreno furono ottenuto dal Comune di Santander attraverso l'acquisto dei vari appezzamenti privati. I lavori iniziarono nel 2006. Il
progetto prevede un grande parco urbano, il principale polmone verde della
città, che conterrà una grande quantità di specie arboree della regione Cantabria e delle coste dell'Oceano Atlantico. Il parco ha al suo interno tre parcheggi e una pista ciclabile di 2,5 chilometri. Inoltre, il aprco verrà dotato di vari servizi: un centro fitness, un anfiteatro, un museo e
un giardino botanico che racooglierà speci provenienti da tutto il mondo,
dall'Antartide al Polo Nord. Dal
Palazzo dello Sport scendendo verso la zona umida che si estende attraverso la
valle, si incontro uno stagno, le cui acque di superficie ha una profondità che va dai 60 ai
90 centimetri. </span><span title="En torno a él hay un graderío, una cafetería y ludoteca, una solana de madera, amplias zonas de juego y deportivas y espacios verdes con 2.400 árboles, terrazas con jardineras."><span style="color: #444444;">Intorno, è stata costruita una tribuna, un bar, una area-giochi e grandi spazi verdi /</span><i> </i></span></span><i><span class="long_text" id="result_box" lang="it"><span title="Igualmente afirmó que "No es el parque que yo haría. No es mi concepto de Parque Atlántico ni de principios de sostenibilidad y es claramente mejorable"."></span></span><span class="long_text" id="result_box" lang="en"><span title="Il Parco de las llamas è un parco urbano di 11 ettari situato nella città di Santander, nella comunità autonoma della Cantabria (Spagna).">The
Parque de las llamas is an urban park of 11 hectares located in the
city of Santander, in the autonomous community of Cantabria (Spain). </span><span title="Questo spazio verde è stato inaugurato l' 11 maggio 2007, ma si può accedere solo una piccola parte nella parte orientale, perché attualmente non è completo.">This
green space was inaugurated on May the 11th, 2007, but you can access only a
small part in the east, because it is not complete yet. </span><span title="La depressione de las llamas è una zona naturale di 800.000 metri quadrati costituita da una zona periurbana in parte paludosa e in parte lacustre, utilizzata per l'attività agricola ma che è stata utilizzata anche come deposito di rifiuti.">The
depression od called "las llamas" is a natural area of 800,000 square meters and
consists of a suburban area in part marshy and partly lake, used for
agricultural activity. The area was also used as a waste disposal site in the past. </span><span title="Fino all'inizio del ventesimo secolo, la valle fu occupata da uno dei due estuari principali del comune di Santander, possedeva un complesso di dune costiere, e il suo versante settentrionale, che si trova sul lato soleggiato, era utilizzato per la coltivazione della vite">Until
the early twentieth century, the valley was occupied by one of two
major estuaries of the city of Santander, had a complex of coastal
dunes, and its northern slope, which is located on the sunny side, was
used for the cultivation of the vine </span><span title=".">. </span><span title="Con lo sviluppo urbano della seconda spiaggia de El Sardinero (la spiaggia urbana di Santander) si tagliò, o meglio soterró, lo sbocco naturale della foce del fiume che sboccava ne El Sardinero, interrompendo in tal modo le dinamiche di marea che coinvolgevano l'area">With
urban development of second beach of El Sardinero (the beach town of
Santander) is cut off, or better soterró, the natural outlet of the
mouth of the river in El Sardinero sboccava, thereby interrupting the
dynamics involving the tidal area </span><span title=".">. </span><span title="Da quel momento, l'unico accesso alla zona furono i piccoli sentieri che, però, non rendevano possibile l'uso pubblico dello spazio così come la fruizione della zona umida da parte dei cittadini.">From
that moment, the only access to the area were the small tracks,
however, did not make it possible to use public space as well as the use
of wetlands by the public. Its</span><span title="Il suo totale abbandono ha portato allo smaltimento incontrollato dei rifiuti, nonché il riempimento di un settore importante della zona umida con detriti derivanti dall'industria della costruzione.">
total abandonment has led to the uncontrolled disposal of waste, as
well as the filling of an important area of wetland with debris coming from the
construction industry. </span><span title="D'altra parte, lo escarico di acque reflue, senza alcun pretrattamento, contribuirono al degrado della qualità delle acque naturali e dell'intero ecosistema.">On
the other hand, the disposal of waste water, without any pretreatment,
contributed to the deterioration of the quality of natural waters and of
the entire ecosystem. </span></span></i><i><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span">The
Santander City Council bought the area from private owners and the
works started in 2006. The project should be the Great Green Area of the
city that will work also as a preservation area. Infact, t</span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span">he
main feature of the park is representd by the lagoon, an area of 45.000
sqm with a great variety of wildlife. Moreover, the site will be
planted by a</span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span"> wide varieties of botanical species typical to the Cantabric Region.</span></span><span class="long_text" id="result_box" lang="en"><span title="D'altra parte, lo escarico di acque reflue, senza alcun pretrattamento, contribuirono al degrado della qualità delle acque naturali e dell'intero ecosistema."></span><span title="Il progetto prevede un grande parco urbano, il principale polmone verde della città, che conterrà una grande quantità di specie arboree della regione Cantabria e delle coste dell'Oceano Atlantico."> </span><span title="Il parco ha al suo interno tre parcheggi e una pista ciclabile di 2,5 chilometri.">The park has three internal parking and a bike path of 2.5 km. </span><span title="Inoltre, il aprco verrà dotato di vari servizi: un centro fitness, un anfiteatro, un museo e un giardino botanico che racooglierà speci provenienti da tutto il mondo, dall'Antartide al Polo Nord.">Moreover,
the aprco will be equipped with many amenities including a fitness
center, an amphitheater, a museum and a botanical garden that
racooglierà species from around the world, from Antarctica to the North
Pole. </span><span title="Dal Palazzo dello Sport scendendo verso la zona umida che si estende attraverso la valle, si incontro uno stagno, le cui acque di superficie ha una profondità che va dai 60 ai 90 centimetri.">From
the Sports Palace down to the wetland that extends through the valley,
you encounter a pond, whose surface water has a depth ranging from 60 to
90 cm. </span><span title="Intorno, è stata costruita una tribuna, un bar, una area-giochi e grandi spazi verdi">Around, was built a platform, a bar, a games-area and large green spaces.</span></span></i><br />
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<a href="http://www.vulgare.net/wp-content/uploads/2010/05/LLamas101.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="316" src="http://www.vulgare.net/wp-content/uploads/2010/05/LLamas101.jpg" width="640" /></a><a href="http://www.vulgare.net/wp-content/uploads/2010/05/LLamas92.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="190" src="http://www.vulgare.net/wp-content/uploads/2010/05/LLamas92.jpg" width="640" /></a><a href="http://www.vulgare.net/wp-content/uploads/2010/05/timthumb-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="474" src="http://www.vulgare.net/wp-content/uploads/2010/05/timthumb-1.jpg" width="640" /></a><a href="http://www.vulgare.net/wp-content/uploads/2010/05/LLamas81.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="http://www.vulgare.net/wp-content/uploads/2010/05/LLamas81.jpg" width="640" /></a><a href="http://www.vulgare.net/wp-content/uploads/2010/05/LLamas111.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="314" src="http://www.vulgare.net/wp-content/uploads/2010/05/LLamas111.jpg" width="640" /></a></div>
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<span class="st" style="font-family: "Courier New",Courier,monospace;"><i>PARQUE DE LAS LLAMAS</i> by <i>BATTLE</i> & ROIG, SANTANDER, SPAIN, 2007</span><span class="long_text" id="result_box" lang="it" style="color: #444444; font-family: "Courier New",Courier,monospace;"><span title="El Parque de la Vaguada de las Llamas (oficialmente Parque Atlántico de las Llamas) es un parque urbano de 11 hectáreas situado en la ciudad de Santander en la comunidad autónoma de Cantabria (España)."> </span></span><br />
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<a href="http://www.vulgare.net/parque-de-las-llamas-by-battle-roig-santander-spain-2007/">Source</a>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-67782148675362069522012-05-23T04:00:00.000+02:002012-05-23T16:23:37.055+02:00Graffiti green / Reverse graffiti<div style="text-align: justify;">
<span style="color: #444444; font-family: "Courier New", Courier, monospace;">La tecnica del Reverse graffiti, definita anche clean advertising, clean tagging o green graffiti, è un nuovo metodo utilizzato per creare immagini e messaggi temporanei su pareti verticali o marciapiedi, rimuovendo lo sporco dalla superficie e giocando appunto sul contrasto che si crea tra area sporca e area pulita. Anche scrivendo 'Lavami' con un dito su un vetro coperto di polvere si crea un reverse-graffito. <span style="color: #444444;">La</span> tecnica viene utilizzata sia in ambito artistico che pubblicitario: uno dei primi ad utilizzarla è stato l'artista inglese Paul Moose Curtis con il suo ReverseGraffitiProject. Il suo primo approccio a questa tecnica è stato del tutto casuale mentre lavava i piatti. La prima realizzazione di un reverse graffito di grandi dimensioni è invece opera di Alexandre Orion, un writer brasiliano che in una notte del 2007 ha disegnato oltre 1000 teschi in un sottopassaggio della città di San Paolo. L'opera è stata poi completamente cancellata dagli addetti alla pulizia della città. Anche il famoso writer inglese </span><a href="http://it.wikipedia.org/wiki/Banksy" style="color: #444444; font-family: "Courier New", Courier, monospace;" title="Banksy">Banksy</a><span style="color: #444444; font-family: "Courier New", Courier, monospace;"> ha creato delle opere utilizzando queste tecnica. I reverse graffiti sono diventati uno dei media più interessanti nel mondo del green marketing, una branca del marketing sviluppatasi in concomitanza con l'esplosione della Green economy. La potenza di questa tecnica è legata al fatto che ogni graffito è realizzato con sola acqua, senza additivi di alcun tipo, ed ha un tempo di vita naturalmente temporaneo, e dunque un impatto ridotto sull'area in cui viene installato. Non viene utilizzata carta, né tantomeno inchiostro, per cui la produzione di rifiuti è estremamente ridotta. Lo stencil che forma la sagoma del messaggio è unico, e può essere riutilizzato per creare migliaia di ripetizioni. Al pari di altre arti urbane la tecnica è stata importata ed utilizzata in svariati modi nel mondo della comunicazione non convenzionale. Negli ultimi anni diverse agenzie di tutto il mondo hanno inserito tra i propri servizi campagne di reverse graffiti e clean advertising. Il trend è partito da Inghilterra e Olanda, per poi muoversi anche in Germania, Italia e molti altri paesi europei. Campagne come quelle per Carlsberg o Renault sono state citate e commentate in numerosi blog</span><sup class="reference" id="cite_ref-gogreen_1-0" style="color: #444444; font-family: "Courier New", Courier, monospace;" title="^ «Renault e Greengraffiti, un modo insolito e creativo per parlare di green». GoGreen (Italia), 12 gennaio 2011."><a href="http://it.wikipedia.org/wiki/Reverse_graffiti#cite_note-gogreen-1"> </a></sup><span style="color: #444444; font-family: "Courier New", Courier, monospace;"> e magazine</span><sup class="reference" id="cite_ref-youmark_2-0" style="color: #444444; font-family: "Courier New", Courier, monospace;" title="^ «I green graffiti di Carlsberg per una comunicazione sostenibile». YouMark (Italia), 14 settembre 2011."><a href="http://it.wikipedia.org/wiki/Reverse_graffiti#cite_note-youmark-2"> </a></sup><span style="color: #444444; font-family: "Courier New", Courier, monospace;">di settore. Anche alcune Pubbliche Amministrazioni come il Comune di Milano ed il Comune di Cesena hanno iniziato ad utilizzare questa tecnica per comunicare con i propri cittadini. Gli addetti ai lavori</span><sup class="reference" id="cite_ref-marketing_cafe_3-0" style="color: #444444; font-family: "Courier New", Courier, monospace;" title="^ Coppotelli Antonella. «Intervista a Giuseppe Castelli». MarketingCaffe (Italia), 10 ottobre 2011."><a href="http://it.wikipedia.org/wiki/Reverse_graffiti#cite_note-marketing_cafe-3"> </a></sup><span style="color: #444444; font-family: "Courier New", Courier, monospace;"> del mondo del marketing e della pubblicità hanno iniziato ad accorgersi di questa tecnica, che chiamano "clean advertising" o "clean graffiti". Inoltre, analizzando l'impronta idrica che ogni oggetto ha sull'ambiente, si può notare come un reverse graffito richieda un numero di litri d'acqua estremamente inferiore a quello di un cartellone delle stesse dimensioni /<i> </i></span><i><span style="color: #999999; font-family: "Courier New", Courier, monospace;">Reverse graffiti</span><span style="color: #999999; font-family: "Courier New", Courier, monospace;">, also known as </span><span style="color: #999999; font-family: "Courier New", Courier, monospace;">clean tagging</span><span style="color: #999999; font-family: "Courier New", Courier, monospace;">, </span><span style="color: #999999; font-family: "Courier New", Courier, monospace;">dust tagging</span><span style="color: #999999; font-family: "Courier New", Courier, monospace;">, </span><span style="color: #999999; font-family: "Courier New", Courier, monospace;">grime writing</span><span style="color: #999999; font-family: "Courier New", Courier, monospace;">, </span><span style="color: #999999; font-family: "Courier New", Courier, monospace;">green graffiti</span><span style="color: #999999; font-family: "Courier New", Courier, monospace;"> or </span><span style="color: #999999; font-family: "Courier New", Courier, monospace;">clean advertising</span><span style="color: #999999; font-family: "Courier New", Courier, monospace;">,</span></i><i><span style="color: #999999; font-family: "Courier New", Courier, monospace;"> is a method of creating temporary or semi permanent images on walls or other surfaces by removing dirt from a surface. It is often done by removing dirt/dust with the fingertip(s) from windows or other dirty surfaces, such as writing 'wash me' on a dirty vehicle. Others, such as artist </span><a href="http://en.wikipedia.org/wiki/Moose_%28graffiti_artist%29" style="color: #999999; font-family: "Courier New", Courier, monospace;" title="Moose (graffiti artist)">Moose</a><span style="color: #999999; font-family: "Courier New", Courier, monospace;">, use a cloth or a high power washer to remove dirt on a larger scale. English artist Paul Curtis aka </span><a href="http://en.wikipedia.org/wiki/Moose_%28graffiti_artist%29" style="color: #999999; font-family: "Courier New", Courier, monospace;" title="Moose (graffiti artist)">Moose</a><span style="color: #999999; font-family: "Courier New", Courier, monospace;"> is one of the first street artists to make an art piece using the reverse graffiti technique. He discovered the technique at his dishwashing job, as he explains in his documentary. The first large scale reverse graffiti art piece was made by Alexandre Orion in 2006, the intervention Ossario with over 1000 foot is washed by the municipality of São Paulo in the end of the video. Street artists such as </span><a href="http://en.wikipedia.org/wiki/Banksy" style="color: #999999; font-family: "Courier New", Courier, monospace;" title="Banksy">Banksy</a><span style="color: #999999; font-family: "Courier New", Courier, monospace;"> or </span><a href="http://en.wikipedia.org/wiki/Alexandre_Orion" style="color: #999999; font-family: "Courier New", Courier, monospace;" title="Alexandre Orion">Alexandre Orion</a><span style="color: #999999; font-family: "Courier New", Courier, monospace;"> have made works with reverse graffiti as well. As with traditional graffiti, nowadays the technique is also explored commercially as an original way of out-of-home advertising to reach consumers in an unconventional new way. The pilot campaign for Telfort was highly successful and made it to several blogs and advertising magazines.</span><sup class="reference" id="cite_ref-0" style="color: #999999; font-family: "Courier New", Courier, monospace;"><a href="http://en.wikipedia.org/wiki/Reverse_graffiti#cite_note-0"></a></sup><span style="color: #999999; font-family: "Courier New", Courier, monospace;">Since then, large companies as Microsoft, the BBC and Smirnoff have advertised their products in this way.</span><sup class="reference" id="cite_ref-1" style="color: #999999; font-family: "Courier New", Courier, monospace;"><a href="http://en.wikipedia.org/wiki/Reverse_graffiti#cite_note-1"> </a></sup><span style="color: #999999; font-family: "Courier New", Courier, monospace;">In this context, marketers call it, "clean advertising" or "clean graffiti". This form of advertising has been adopted by local authorities in the past to deliver public service messages. Whether it be home watch, litter prevention or a drink safe campaign around the town. The method can help promote local events, special offers, retail promotions or even just to increase an organisation's market presence. Because reverse graffiti is temporary, biodegradable, and no hard materials such as ink, paper, or chemicals are used in its production and it does not use electricity to back or front light, reverse graffiti is considered an environmentally friendly way of advertising.</span></i></div>
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<span class="mw-headline" id="Environment_impact"></span></h2>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-90484370943312749392012-05-21T09:30:00.000+02:002012-05-21T09:30:00.895+02:00Land Art: Marco Casagrande<div style="color: #999999; font-family: "Courier New",Courier,monospace; text-align: justify;">
<span class="" id="result_box" lang="it"><span style="color: #666666;" title="«There is no other reality than nature».">Marco Casagrande è un architetto finlandese nata nel 1971 a Turku, in Finlandia. Si è laureato presso l'Università di Helsinki, Dipartimento di Architettura nel 2001. Dalle
prime fasi della sua carriera, Casagrande ha iniziato a fondere
architettura con altre discipline dell'arte e della scienza attraverso una serie di installazioni architettoniche con una forte valenza ecologica. Sia le opere che i temi principali del lavoro di </span></span><span class="" id="result_box" lang="it"><span style="color: #666666;" title="«There is no other reality than nature».">Casagrande
</span></span><span class="" id="result_box" lang="it"><span style="color: #666666;" title="«There is no other reality than nature»."> si muovono liberamente tra le discipline dell'architettura, del
design urbano e ambientale e della scienza, dell'arte ambientale, dando vita ad un pensiero architettonico singolare, di «commedia
dell'Architettura», una visione ampia di costruzione dell'ambiente umano
legato al dramma sociale e alla consapevolezza ambientale. «Non c'è altra realtà che la natura». </span><span title="He views architects as design shamans merely interpreting what the bigger nature of the shared mind is transmitting."><span style="color: #666666;">Egli
vede gli architetti, come gli sciamani che solo
devono interpretare ciò che la natura della mente condivisa sta
trasmettendo </span>/</span></span><i><span style="font-size: xx-small;"><span style="font-size: small;"><a href="http://en.wikipedia.org/wiki/Marco_Casagrande" target="_blank"> Marco Casagrande</a>
is a Finnish Architect born in 1971 in Turku, Finland. He graduated
from the Helsinki University of Technology Department of Architecture in
</span><span style="font-size: small;">2001. From the early stages of his career Casagrande started to mix
architecture with other disciplines of art and science landing with a
series of ecologically conscious architectural installations around the
world. </span></span><span style="font-size: small;">Casagrande’s works and teaching are
moving freely in-between architecture, urban and environmental design
and science, environmental art and circus adding up into cross-over
architectural thinking of «commedia dell’architettura», a broad vision
of built human environment tied into social drama and environmental
awareness. «There is no other reality than nature». He views architects
as design shamans merely interpreting what the bigger nature of the
shared mind is transmitting.</span></i></div>
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<span style="font-size: small;"><span style="color: #666666;">Verme del deserto</span><i>/Sandworm</i></span></h2>
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<span class="" id="result_box" lang="it"><span style="color: #666666;" title="Design should not replace reality.">Sandworm è una struttura / spazio / creatura orgnaica realizzata sulle dune della costa di Wenduine, in Belgio. L'installazione, che misura 45 metri di lunghezza e 10 m di larghezza e altezza, si muove liberamente tra l'architettura e l'arte ambientale ed è costruito interamente in
salice, basandosi sulla tradizione locale di lavorare con la sabbia e il
salice. Casagrande
ha lavorato duramente con il suo team di giovani architetti ed esperti
locali per 4 settimane, al fine di creare qualcosa che lui descrive come
"architettura debole" - una struttura creata dall'uomo umano che vuole diventare
parte della natura attraverso la flessibilità e la presenza organica.I
visitatori descrivono il Sandworm come una cattedrale di salice, realizzata per permettere di entrare in sintonia con le condizioni speciche delle spiagge di Wenduine. Lo spazio è usato per picnic, relax e "meditazione </span></span><span class="" id="result_box" lang="it"><span style="color: #666666;" title="Design should not replace reality.">post industriale</span></span><span class="" id="result_box" lang="it"><span style="color: #666666;" title="Design should not replace reality.">". "Entrando nel SANDWORM si è accolti da uno spettacolo naturale di luci e ombre. Si rimane stupiti da come sia possibile creare una tale bellezza con questi materiali semplici e naturali. L'artista ritiene che il controllo architettonico va contro natura e quindi anche contro l'architettura stessa. L'ambiente costruito umano è un mediatore tra la natura umana e la natura stessa. Per essere parte di questa, l'uomo deve essere debole. Per l'artista finlandese Marco Casagrande la progettazione non è un mezzo sufficiente. Il design non deve sostituire la realtà: </span><span title="The building must grow out of the location, it must react to its environment, it must be a reflection of life and also be itself, as every other living being.”"><span style="color: #666666;">l'edificio
deve crescere fuori del luogo, deve reagire al suo ambiente, deve
essere un riflesso della vita ed anche essere di per sé, come ogni altro
essere vivente." L'opera è stata commissionata per la quarta edizione della Triennale d'Arte Contemporanea del Mare del 2012</span> / "</span></span><i>Sandworm is
an organic structure/space/creature realized on the dunes of the
Wenduine coastline, Belgium. The 45 meters long and 10 m wide and high
installation moves freely in-between architecture and environmental art
and is constructed entirely out of willow following the local knowledge
of working with sand and willow. Casagrande worked hard with his team of
young architects and local experts for 4 weeks in order to create
something that he describes as 「weak architecture」 – a human made
structure that wishes to become part of nature through flexibility and
organic presence. The visitors are describing the Sandworm as a
willow cathedral finely tuned to celebrate the site specific conditions
of the Wenduine tidal beaches. The space is used for picnics, relaxation
and post industrial meditation. “Inside the sandworm you are greeted by a natural spectacle of light and
shadow. I was amazed. How you can create such beauty with such simple
natural materials. The artist believes that architectural control goes
against nature and thus also against architecture. The built human
environment is a mediator between human nature and nature itself. To be
part of this, man must be weak. To the Finnish artist Marco Casagrande
designing is not sufficient. Design should not replace reality. The
building must grow out of the location, it must react to its
environment, it must be a reflection of life and also be itself, as
every other living being.” Commission by<a href="http://www.beaufort04.be/en/artistiek/31/marco-casagrande-.html"> Beaufort04</a> the fourth edition of the Triennial of Contemporary Art by the Sea in 2012.</i></div>
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<i><span style="font-size: xx-small;"><span style="font-size: small;"><a href="http://en.wikipedia.org/wiki/Marco_Casagrande" target="_blank">Source</a></span></span></i></div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-16459285817417247642012-05-18T11:29:00.000+02:002012-05-18T11:29:47.726+02:00The Ethno-Botanical Garden, Oaxaca<div>
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<span class="long_text" id="result_box" lang="it" style="color: #444444;"><span title="The ethnobotanical garden is one of the most extensive and complete collections of Cactaceae and Agaves from the State of Oaxaca.">Il giardino etno-botanico rappresenta una delle collezioni più vaste e complete di Cactaceae e agavi dallo Stato di Oaxaca, in Messico. </span><span title="It was begun in 1993 thanks to the efforts of Maestro Francisco Toledo via the ProOax organization that he leads.">Fu iniziata nel 1993 grazie agli sforzi del Maestro Francisco Toledo attraverso l'organizzazione ProOax che egli conduce. </span><span title="Some of its objectives are to create a collection of live plants, representatives of the rich Oaxacan biodiversity, duly identified and documented, offering the visitor an educational space, aesthetics appreciation and relaxation.">Alcuni
dei suoi obiettivi sono quelli di creare una collezione di piante vive,
rappresentanti della ricca biodiversità di Oaxaca, debitamente
identificati e documentati, all scopo di offrire al visitatore uno spazio educativo,
ma anche un luogo di apprezzamento estetico e relax. </span><span title="In order to demonstrate the relationship between the vegetation and the traditions of Oaxaca, the garden only brings together plants that are relevant to the region's culture.">Al
fine di dimostrare il rapporto tra la vegetazione e le tradizioni di
Oaxaca, il giardino riunisce solo piante che sono rilevanti per la
cultura della regione. </span><span title="The plants are not only used for food, medicine, perfume, and fibers, but also as a source of aesthetic inspiration and intellectual stimulation for the people.">Le
piante non vengono utilizzate solo per cibo, medicine, profumi, e
fibre, ma anche come fonte di ispirazione estetica e intellettuale. </span><span title="An extension program teaching plant knowledge and donations of plant collections to schools, cultural centres of the city, and rural communities is being carried out.">Inoltre, il giardino si occupa anche di portare avanti un
programma di conoscenza didattica delle piante e
di donare collezioni di piante alle scuole, centri culturali della
città, e delle comunità rurali.</span><span title="Mr. Toledo's interest in El Jardín dates from its very beginning."> </span><span title="From 1876 to 1994, what is now the Centro Cultural de Santo Domingo, comprising the Museum and ex-monastery, belonged to the Mexican army.">Dal
1876 al 1994, quello che oggi è il Centro Cultural de Santo Domingo,
che comprende il Museo ed ex-monastero, che apparteneva all'esercito
messicano. </span><span title="But in 1994, the Oaxacan civil society, led by the artist, petitioned then-President Carlos Salinas for the ouster of the military.">Ma
nel 1994, la società civile di Oaxaca, guidati dall'artista </span></span><span class="long_text" id="result_box" lang="it" style="color: #444444;"><span title="But in 1994, the Oaxacan civil society, led by the artist, petitioned then-President Carlos Salinas for the ouster of the military.">Carlos Salinas</span></span><span class="long_text" id="result_box" lang="it" style="color: #444444;"><span title="But in 1994, the Oaxacan civil society, led by the artist, petitioned then-President Carlos Salinas for the ouster of the military.">, portarono avanti una
petizione per il ritiro dei
militari.</span><span title="After further pressure from Mr. Toledo's newly formed organization, Pro-Oax, dedicated to the conservation of Oaxaca's heritage, two projects for the site – a five-star hotel and a parking lot – were later abandoned."> </span><span title="The army left behind heaps of concrete, rubble, shooting targets and rusty equipment on the 2.3 hectares (slightly less than 6 acres) of land.">L'esercito
ha lasciato alle spalle cumuli di cemento, calcinacci, attrezzature arrugginite su poco meno di 6
ettari di terreno. </span><span title="But Mr. Avila, determined to see his project succeed, was ready and the landscaping work finally began in 1997."> </span><span title="Today, behind the imposing walls surrounding what used to be the orchards of the monastery, the garden shelters over 1,300 varieties of plants.">Oggi,
dietro le mura imponenti che circondano quella che un tempo erano gli orti
del monastero, il giardino da rifugio a oltre 1.300 varietà di piante. </span><span title="Mr. Avila's next goal is to gather 700 more, to encompass about a fifth or a sixth of the state of Oaxaca's total flora, one of most diversified in the country.">Prossimo
obiettivo di Avila è di raccoglierne altre 700, fino a comprendere
circa un quinto o un sesto della flora totale di Oaxaca, una
delle più diversificate del paese </span></span><span style="color: #444444;">/ </span><i><span style="color: #999999;">The ethnobotanical garden is one of the most extensive and complete
collections of Cactaceae and Agaves from the State of Oaxaca. It was
begun in 1993 thanks to the efforts of Maestro Francisco Toledo via the
ProOax organization that he leads. Some of its objectives are to create a
collection of live plants,
representatives of the rich Oaxacan biodiversity, duly identified and
documented, offering the visitor an educational space, aesthetics
appreciation and relaxation. In order to demonstrate the relationship
between the
vegetation and the traditions of Oaxaca, the garden only brings together
plants that are relevant to the region’s culture. The plants are not
only used for food, medicine, perfume, and fibers, but also as a source
of aesthetic inspiration and intellectual stimulation for the people.
An extension program teaching plant
knowledge and donations of plant collections to schools, cultural
centres of the city, and rural communities is being carried out. Mr.
Toledo’s interest in El Jardín dates from its very
beginning. From 1876 to 1994, what is now the Centro Cultural de Santo
Domingo, comprising the Museum and ex-monastery, belonged to the Mexican
army. But in 1994, the Oaxacan civil society, led by the artist,
petitioned then-President Carlos Salinas for the ouster of the military.
After further pressure from Mr. Toledo’s newly formed organization,
Pro-Oax, dedicated to the conservation of Oaxaca’s heritage, two
projects for the site – a five-star hotel and a parking lot – were later
abandoned. The army left behind heaps of concrete, rubble, shooting
targets and rusty equipment on the 2.3 hectares (slightly less than 6
acres) of land. But Mr. Avila, determined to see his project succeed,
was ready and the landscaping work finally began in 1997. Today, behind
the imposing walls surrounding what used to be
the orchards of the monastery, the garden shelters over 1,300 varieties
of plants. Mr. Avila’s next goal is to gather 700 more, to encompass
about a fifth or a sixth of the state of Oaxaca’s total flora, one of
most diversified in the country.</span></i></div>
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</div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com2tag:blogger.com,1999:blog-5680210024994812433.post-6900624848462469192012-05-17T09:46:00.000+02:002012-05-17T11:33:46.262+02:00Elementi in Giardino / Garden furniture<div style="color: #666666; font-family: "Courier New",Courier,monospace; text-align: justify;">
<span style="font-size: small;">Concrete-pod è uno micro spazio pensato per luso pubblico e privato costituito da un calcestruzzo estremamente sottile. Il progetto è opera di </span><span style="font-size: small;">Kazuya Morita. All'interno di questo spazio-cupola possiamo sperimentare le stesse sensazioni di rilassamento che potremmo provare in una CHA-SITSU, le case da tè della tradizione giapponese.Concrete-pod è realizzato da un calcestruzzo rinforzato, composto da un mix di cemento bianco, aggregati leggeri e fibra di vetr; i materiali vengono poi miscelati e lavorati secondo la tecnica giapponese SAKAN. La membrana in calcestruzzo è forata per permettere di mantenere una relazione con l'ambiente circostante, dando vita ad uno spazio a metà strada tra interno ed esterno</span><span style="font-size: small;"><i> /<span style="color: #999999;">"Concrete-pod" is the micro-space furniture for private and public use made of extremely thin </span></i><i style="color: #999999;">concrete designed by Kazuya Morita</i><i style="color: #999999;">. In the dome, because of its minimal scale, it makes us more sensitive and relax like when we are in our traditional tea-house CHA-SITSU.</i><i style="color: #999999;"> "Concrete-pod" is only made from the fiber reinforced concrete, which is the mixture of white cement and light-weight aggregate and glass fiber. By application of Japanese traditional plasterer's skill SAKAN, it was plastered on the dome-shaped mould by a trowel. After hardening, the mould of styrofoam was dismantled and removed. Even when you are in the "Concrete-pod" which is tenderly covered by the concrete-shell, you can feel the outside environment through the number of the holes, so it makes us feel indoor and outdoor at the same time, and takes us to the sensitive feeling and deep relaxation in the nature.</i></span></div>
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<a href="http://www.morita-arch.com/works/11_concrete_pod/concrete_pod_data.htm"><i>Source</i></a>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-89341586525156664922012-05-16T16:36:00.001+02:002012-05-17T11:34:52.071+02:00Jardin plume: the quintessence of sensual gardens.<br />
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<span class="" id="result_box" lang="it" style="color: #666666;"><span class="hps atn">[...] "</span>Sylvie <span class="hps">e Patrick</span> <span class="hps">QUIBEL</span> <span class="hps">hanno costruito</span> questo<span class="hps"> giardino</span> per<span class="hps"> promuovere il loro vivaio</span><span class="hps"></span>. <span class="hps">Ora</span> il vivaio mantiene il giardino<span class="hps"></span>, <span class="hps">JardinPlume</span>, che <span class="hps">è stato votato</span> <span class="hps">Garden</span> <span class="hps">of the Year</span> <span class="hps">da "quelli che sanno"</span>.<span class="hps atn"> Il giardino si trova in una zona pianeggiante, </span><span class="hps">in mezzo</span> ai campi coltivati<span class="hps"></span> della<span class="hps"> Normandia</span>. <span class="hps">I</span> <span class="hps">Quibels</span> <span class="hps">basano la progettazione</span> <span class="hps">sui principi</span> <span class="hps">utilizzati a</span> <span class="hps">Vaux</span> <span class="hps">le Vicomte</span> <span class="hps">da Le</span> <span class="hps">Notre</span>: <span class="hps">nel giardino troviamo, infatti, i grandi</span> <span class="hps">allées</span><span class="hps"></span>, la divisione delle aree in <span class="hps">parterre</span> <span class="hps">formali</span><span class="hps">.</span> <span class="hps">L'abitazione, </span><span class="hps">sollevata</span> <span class="hps">rispetto al piano del terreno</span>, fa sì che le aree circostanti vengano "prese i n prestito" in modo da condurre <span class="hps">l'occhio</span> <span class="hps">al di là</span>, nell'aperta campagna. A JardinPlume troviamo <span class="hps">un</span> <span class="hps">potager tanto decorativo come quello di</span> <span class="hps">Maria Antonietta</span>, <span class="hps">una piscina</span> che<span class="hps"> riflette il cielo</span><span class="hps">, e</span> <span class="hps">luoghi appartati</span> <span class="hps">per</span> <span class="hps">indulgere immersi nel verde.</span> <span class="hps">Fin qui semra che tutto</span> <span class="hps">sia déjà</span> <span class="hps">vue</span>, <span class="hps">ma ciò che rende</span> <span class="hps">il giardino</span> <span class="hps">moderno è l'approccio usato per</span><span class="hps"> fare</span> <span class="hps">tutto questo.</span> <span class="hps">"[...]</span><span class="atn">" E '</span>questa miscela di <span class="hps">formale e</span> <span class="hps">naturale</span>, l'equlibrio tra il controllo e il <span class="hps">laissée</span> <span class="hps">faire</span>, la struttura antica fusa<span class="hps"></span> con le piantumazioni del<span class="hps"> ventunesimo</span> <span class="hps">secolo</span> <span class="hps"></span> <span class="hps">che rende</span> <span class="hps">speciale</span> <span class="hps">questo giardino</span>. <span class="hps">Si tratta di</span> <span class="hps">un giardino</span> <span class="hps">molto sensuale</span>, <span class="hps">pieno di</span> <span class="hps">colori, profumi e</span> <span class="hps">movimento</span><span class="hps"> </span></span><i><span style="font-size: small;">/ "</span><span class="Apple-style-span" style="font-size: small; line-height: 18px;">Sylvie and Patrick Quibel are hortics who built the garden to promote their nursery.<span style="border-width: 0px; font-style: inherit; font-weight: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span>Now the nursery funds the garden, and the garden, <a href="http://www.lejardinplume.com/index.html">JardinPlume</a>, has been voted Garden of the Year by Those That Know.<span lang="EN-GB" style="border-width: 0px; font-style: inherit; font-weight: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">It is on flat ground in the middle of farm land in Normandy. The Quibels based the </span><span lang="EN-GB" style="border-width: 0px; font-style: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">design</span><span lang="EN-GB" style="border-width: 0px; font-style: inherit; font-weight: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> on the </span><span lang="EN-GB" style="border-width: 0px; font-style: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">principles</span><span lang="EN-GB" style="border-width: 0px; font-style: inherit; font-weight: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> used at</span><span lang="EN-GB" style="border-width: 0px; font-style: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> Vaux le Vicomte by Le Notre</span><span lang="EN-GB" style="border-width: 0px; font-style: inherit; font-weight: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">. There are grand allées, formal hedging and tightly clipped parterres.<span style="border-width: 0px; font-style: inherit; font-weight: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span>The house is raised above the land, and extra land is ‘borrowed’ by carrying the eye seamlessly into countryside beyond.<span style="border-width: 0px; font-style: inherit; font-weight: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span>There is a potager as purely ornamental as Marie Antoinette’s, a pool to reflect the heavens, and secluded spots for indulgent reverie. So far so déjà vue, but what makes the garden modern is the way all this is done."[...] "</span>It is this mixture of formal and natural, control and laissée faire, old fashioned structure and twenty-first century planting that makes this garden special. It is a very sensual garden, crammed full of colours, scents and movement, and the French are very sensual about their plants.<span style="border-width: 0px; font-style: inherit; font-weight: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span>Nursery catalogues talk of finding the plants that have ‘seduced’ you in the gardens, and to overhear the eager replies to Patrick’s question ‘Do you want it?’ (<span style="border-width: 0px; font-weight: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">vous le voulez</span>?) in the nursery, you can see why."</span></i></div>
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</div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com1tag:blogger.com,1999:blog-5680210024994812433.post-15760886804409189062012-04-23T14:19:00.000+02:002012-05-21T15:42:47.230+02:00Anouk Vogel: Giardino di Escher/Garden of Escher<div style="font-family: courier new; text-align: justify;">
<span class="" id="result_box" lang="it" style="color: #999999;"><span class="hps">Per il</span> <span class="hps">18° Garden Festival</span> <span class="hps">di Chaumont</span>-sur-Loire, il cui tema era Giardini di Colore<span class="hps">,</span> <span class="hps">Vogel progettò un giardino temporaneo</span> <span class="hps">ispirato dall'opera Cielo e Acqua di</span> <span class="hps">Sky</span> MC <span class="hps">Escher</span>. Lo schema dell'opera costituisce il layout di base <span class="hps">del piano botanico,</span> <span class="hps">composto da</span> <span class="hps">12 coppie di piante</span><span class="hps"> dove ciascuno pianta a fiore bianco ha un suo corrispondente nero</span>. <span class="hps">Invece di</span> <span class="hps">un giardino</span> </span><span class="" id="result_box" lang="it" style="color: #999999;"><span class="hps">colorato</span></span><span class="" id="result_box" lang="it"><span style="color: #999999;">, </span><span class="hps" style="color: #999999;">Vogel</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">ha proposto una versione</span><span style="color: #999999;"> </span><span class="hps atn" style="color: #999999;">'</span><span style="color: #999999;">incolore': </span><span class="hps" style="color: #999999;">da un lato</span><span style="color: #999999;"> il giardino </span><span class="hps" style="color: #999999;">è stato piantumato</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">con elementi sui toni del bianco</span><span style="color: #999999;">, mentre dal</span><span class="hps" style="color: #999999;">l'altro si trovano le</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">piante a fiore</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">nero</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">che sono</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">a tutti gli</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">effetti</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">dei gemelli</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">effetti,</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">tranne che per</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">il colore</span><span style="color: #999999;">. </span><span class="hps" style="color: #999999;">I</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">due</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">colori</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">si fondono</span><span style="color: #999999;"> così </span><span class="hps" style="color: #999999;">nel mezzo</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">del giardino</span><span style="color: #999999;">. Inoltre, </span><span class="hps" style="color: #999999;">il percorso</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">in ghiaia</span><span style="color: #999999;"> che corre lungo il perimetro </span><span class="hps" style="color: #999999;">viene integrato</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">nel modello</span><span style="color: #999999;">, </span><span class="hps" style="color: #999999;">attraverso una successione di elementi</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">neri da</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">un lato e</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">bianchi dall'altro</span><span style="color: #999999;">. </span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">In collaborazione con</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">Katarina</span><span style="color: #999999;"> </span><span class="hps" style="color: #999999;">Brandt</span> </span><span style="color: #666666; font-style: italic;">/For the 18th Garden Festival of Chaumont-sur-Loire with as given theme Gardens of Colour, another temporary garden by Vogel was be laid out as part of the annual garden festival. In response to the 'Garden of Colours' theme, she designed a square garden inspired by an M. C. Escher’s drawing Sky and Water forms the base for the layout of the planting plan composed of 12 pairs of plants where each white plant has a black ‘cousin’. Instead of a colourful garden, Vogel proposed a 'colourless' version: one side is planted with white, the other with black flowering plants which are to all intents and purposes 'twins', except for their colour. The two colours merge in the middle of the garden. The perimeter gravel path is part of the pattern, with black gravel on one side and white on the other. As more people visit the garden, they will unwittingly help to mix the gravel, too. In collaboration with Katarina Brandt. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX-gCCTcAbFxT9f5ggX5b-6rFm89XcK5asmu_ogtT9gGT0G8RnZ8x0XAghBeAxrQ3a3Q5D2NBXKEjEOL7Zx4tek-7eNJAzBy9HV7VebYL6jg_jFR13FwJGJ9UCYia7uuwdt7j9_Tc9mW_H/s1600/57_cf020558-d.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5732348915450533618" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX-gCCTcAbFxT9f5ggX5b-6rFm89XcK5asmu_ogtT9gGT0G8RnZ8x0XAghBeAxrQ3a3Q5D2NBXKEjEOL7Zx4tek-7eNJAzBy9HV7VebYL6jg_jFR13FwJGJ9UCYia7uuwdt7j9_Tc9mW_H/s400/57_cf020558-d.jpg" style="cursor: pointer; display: block; height: 260px; margin: 0px auto 10px; text-align: center; width: 500px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG7-onxoiyOpdO9Yq1mSUqL6WS3D6qGMa00L-zkvNSAsgj7i51JoNQwoS9erK-_-ii4DgB-Lo9YSmSk0v6JEne5V13SaMhxMIf9bbA_Y04-DDNQvmtXahv_1jMZYDh-_cwDfZa7tMBuuun/s1600/57_gardenescher-plan.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5732348910261215746" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG7-onxoiyOpdO9Yq1mSUqL6WS3D6qGMa00L-zkvNSAsgj7i51JoNQwoS9erK-_-ii4DgB-Lo9YSmSk0v6JEne5V13SaMhxMIf9bbA_Y04-DDNQvmtXahv_1jMZYDh-_cwDfZa7tMBuuun/s400/57_gardenescher-plan.jpg" style="cursor: hand; cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVAbr4o22c6Z3Yqb6PTC0__5dJfUetYv1khn28DsN2_Nuzwy9dvfEjM2aisZTUIxITXoLly79-BZFRQbTo5htPmgUVL_fXqLNG1Qcw1TGm19E3wvS5nUuS65QxojEIGxHtdAAfxnqgTfFh/s1600/57_gardenescher-planting-plan.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5732349483099952578" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVAbr4o22c6Z3Yqb6PTC0__5dJfUetYv1khn28DsN2_Nuzwy9dvfEjM2aisZTUIxITXoLly79-BZFRQbTo5htPmgUVL_fXqLNG1Qcw1TGm19E3wvS5nUuS65QxojEIGxHtdAAfxnqgTfFh/s400/57_gardenescher-planting-plan.jpg" style="cursor: hand; cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtKpaBJzKLm7OdA2cGtdu9q-PEDFChQ86yd96iRdwm9Cx0w4UYQIK7Xw6aRLZcuKhkKA8BI-T4FlD7hM17zsDdXMnR_way5Hs0waxemIOVJRRdZT5m4Nr5tm_kk87QZh-_KmIR42HKjxeQ/s1600/57_cf020594-d.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5732349462547484034" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtKpaBJzKLm7OdA2cGtdu9q-PEDFChQ86yd96iRdwm9Cx0w4UYQIK7Xw6aRLZcuKhkKA8BI-T4FlD7hM17zsDdXMnR_way5Hs0waxemIOVJRRdZT5m4Nr5tm_kk87QZh-_KmIR42HKjxeQ/s400/57_cf020594-d.jpg" style="cursor: pointer; display: block; height: 261px; margin: 0px auto 10px; text-align: center; width: 500px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhumU13dSL-st7cELrTyo5saqDT_lWhX2hu9Ax6tt1f2nci5PzKR0CI7ANX7_7p9LLjXl9pXvlvTEPXtaQE_sbNviPBNvBg0_2sMkmYrJK-hQX_NaRKSqOroabt4qtNiYcEtjcxc143xep2/s1600/292086.JPEG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5732348888402361026" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhumU13dSL-st7cELrTyo5saqDT_lWhX2hu9Ax6tt1f2nci5PzKR0CI7ANX7_7p9LLjXl9pXvlvTEPXtaQE_sbNviPBNvBg0_2sMkmYrJK-hQX_NaRKSqOroabt4qtNiYcEtjcxc143xep2/s400/292086.JPEG" style="cursor: pointer; display: block; height: 332px; margin: 0px auto 10px; text-align: center; width: 500px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3zXV0JuNfF858HJcJEuOdDrQxDWUlqL9wq8nOsw4iYH-EUf7-3Se10hSoiwJ3q9z6MiGFb81XbWwwg3mDVKNLM8btICYWGf8uji0DGSk3-0IH0LI3CPR2TCaIFKcV7v0F1-iZnNzGyOXG/s1600/57_cf020678-d.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5732348899887329778" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3zXV0JuNfF858HJcJEuOdDrQxDWUlqL9wq8nOsw4iYH-EUf7-3Se10hSoiwJ3q9z6MiGFb81XbWwwg3mDVKNLM8btICYWGf8uji0DGSk3-0IH0LI3CPR2TCaIFKcV7v0F1-iZnNzGyOXG/s400/57_cf020678-d.jpg" style="cursor: hand; cursor: pointer; display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYTUULp5Ma4hF30gGH50MIisV34vfmOvo3_TgH3_EqEKdi-VSjx_uZGqNbknfLZ8bdN8Y-7deZe7baWLw1rR_5e140zfF6TJjLZBOkSH1JdMTQyP5boaD505VuDiqJFJ5WskQF0w4qfpoK/s1600/57_cf020718-d.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5732348896565187570" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYTUULp5Ma4hF30gGH50MIisV34vfmOvo3_TgH3_EqEKdi-VSjx_uZGqNbknfLZ8bdN8Y-7deZe7baWLw1rR_5e140zfF6TJjLZBOkSH1JdMTQyP5boaD505VuDiqJFJ5WskQF0w4qfpoK/s400/57_cf020718-d.jpg" style="cursor: hand; cursor: pointer; display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a><br />
<br /></div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com1tag:blogger.com,1999:blog-5680210024994812433.post-82914441305856062152012-04-17T11:41:00.000+02:002012-05-17T11:37:09.826+02:00Anouk Vogel "A chaque chÂteau son jardin"<div style="font-family: courier new; text-align: justify;">
<span class="" id="result_box" lang="it" style="color: #666666;"><span class="hps">Ogni quattro</span> <span class="hps">anni la città</span> <span class="hps">medievale di</span> <span class="hps">Losanna</span> indice<span class="hps"> un</span> <span class="hps">concorso dedicato</span> <span class="hps">al giardinaggio</span> <span class="hps">urbano e</span> all'<span class="hps">architettura del paesaggio.</span> <span class="hps">Anouk Vogel</span> <span class="hps">ha vinto un</span> <span class="hps">concorso organizzato</span> <span class="hps">nell'ambito</span> <span class="hps">dell'edizione 2008</span> <span class="hps">di Losanna</span><span class="atn">-</span>Jardins, con <span class="hps">un progetto per</span> <span class="hps">un giardino temporaneo</span> <span class="hps">da realizzarsi su un piazzale</span> <span class="hps">di uno dei</span> <span class="hps">tanti</span> <span class="hps">castelli</span> <span class="hps">della città,</span> <span class="hps">che viene</span> <span class="hps">normalmente utilizzato come</span> <span class="hps">parcheggio.</span> <span class="hps">Vogel</span> <span class="hps">ha basato il suo</span> <span class="hps">progetto su</span> <span class="hps">ornamenti</span> <span class="hps">medievali</span> <span class="hps">presenti all'interno del</span> <span class="hps">castello</span>, i quali, attraverso un processo di astrazione, sono divenuti un nuovo<span class="hps atn"> '</span>modello di <span class="hps">contenitore</span> <span class="hps">contemporaneo'</span>, all'interno del quale verranno piantati<span class="hps"> </span><span class="hps">gerani</span> <span class="hps atn">(i fiori tipici dei</span> <span class="hps">balconi in Svizzera</span><span class="hps">)</span>. <span class="hps">I contenitori</span>, che sono <span class="hps">facili da montare</span> <span class="hps">grazie al</span> <span class="hps">sistema di piegatura</span> <span class="hps">sviluppato</span> <span class="hps">da Vogel</span>, hanno decorato il <span class="hps">piazzale</span> <span class="hps">per tutta la durata</span> <span class="hps">del</span> <span class="hps atn">Lausanne-</span>Jardins <span class="hps atn">(</span>20 giugno - 21 Ottobre <span class="hps">2009)</span>. <span class="hps">Attraverso</span> <span class="hps">questa installazione</span> <span class="hps">la piazza</span> ha così <span class="hps">riacquistato la sua</span> <span class="hps">funzione pubblica</span> <span class="hps">per tutta la durata</span> <span class="hps">del</span> <span class="hps">Lausanne</span> <span class="hps">Jardins</span><span class=""> </span></span><span style="color: #666666;">/</span><span style="color: #999999; font-style: italic;">Every four years the medieval city of Lausanne holds a competition dedicated to urban gardening and landscape architecture. Vogel won a competition held in the context of the 2008 edition of Lausanne-Jardins with a design for a temporary garden on the forecourt of one of the city's many châteaux, which is normally used as a car park. Vogel based her design on medieval ornaments inside the château that she abstracted into a 'contemporary container pattern', which will be planted with geraniums (a popular balcony plant in Switzerland). The containers, which are easy to assemble thanks to the folding system Vogel developed, decorated the forecourt for the duration of the Lausanne-Jardins event (20 June–21 October 2009). Through this installation the square regained its public function for the duration of the urban garden festival </span><i style="color: #999999; font-style: italic;">Lausanne Jardins.</i></div>
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<a href="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_cf020328.jpg"><img alt="" border="0" src="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_cf020328.jpg" style="cursor: hand; cursor: pointer; display: block; height: 500px; margin: 0px auto 10px; text-align: center; width: 375px;" /></a><a href="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_cf020314-1.jpg"><img alt="" border="0" src="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_cf020314-1.jpg" style="cursor: hand; cursor: pointer; display: block; height: 500px; margin: 0px auto 10px; text-align: center; width: 375px;" /></a><a href="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_cf020354-1.jpg"><img alt="" border="0" src="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_cf020354-1.jpg" style="cursor: hand; cursor: pointer; display: block; height: 500px; margin: 0px auto 10px; text-align: center; width: 375px;" /></a><br />
<a href="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_lausanne-ornament.jpg"><img alt="" border="0" src="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_lausanne-ornament.jpg" style="cursor: hand; cursor: pointer; display: block; height: 500px; margin: 0px auto 10px; text-align: center; width: 667px;" /></a><a href="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_lausanne-plan.jpg"><img alt="" border="0" src="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_lausanne-plan.jpg" style="cursor: hand; cursor: pointer; display: block; height: 500px; margin: 0px auto 10px; text-align: center; width: 667px;" /></a></div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com2tag:blogger.com,1999:blog-5680210024994812433.post-79851095126285003352012-04-16T14:00:00.006+02:002012-05-17T11:37:45.328+02:00Under 35 Landscape Series: Anouk Vogel<a href="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_cf020314-1.jpg"><img alt="" border="0" src="http://www.anoukvogel.nl/indexhibit/files/gimgs/41_cf020314-1.jpg" style="cursor: pointer; display: block; height: 548px; margin: 0px auto 10px; text-align: center; width: 411px;" /></a><br />
<a href="http://www.a10.eu/thumbs/file_661/0906261043/style_imagegrid_1/Chaumont2009-black.jpg"><img alt="" border="0" src="http://www.a10.eu/thumbs/file_661/0906261043/style_imagegrid_1/Chaumont2009-black.jpg" style="cursor: pointer; display: block; height: 275px; margin: 0px auto 10px; text-align: center; width: 421px;" /></a><a href="http://www.anoukvogel.nl/indexhibit/files/gimgs/57_cf020671-d.jpg"><img alt="" border="0" src="http://www.anoukvogel.nl/indexhibit/files/gimgs/57_cf020671-d.jpg" style="cursor: pointer; display: block; height: 556px; margin: 0px auto 10px; text-align: center; width: 417px;" /></a><br />
<a href="http://www.a10.eu/thumbs/file_664/0906261040/style_imageBlock_1/Lace-Garden-outside.jpg"><img alt="" border="0" src="http://www.a10.eu/thumbs/file_664/0906261040/style_imageBlock_1/Lace-Garden-outside.jpg" style="cursor: hand; cursor: pointer; display: block; height: 285px; margin: 0px auto 10px; text-align: center; width: 421px;" /></a><a href="http://www.anoukvogel.nl/indexhibit/files/gimgs/27_cf045950.jpg"><img alt="" border="0" src="http://www.anoukvogel.nl/indexhibit/files/gimgs/27_cf045950.jpg" style="cursor: pointer; display: block; height: 244px; margin: 0px auto 10px; text-align: center; width: 415px;" /></a><br />
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<span class="long_text" id="result_box" lang="it" style="color: #666666; font-family: courier new;"><span title="Anouk Vogel was born in 1977 in Geneva, Switzerland, and before fetching up in the Netherlands she lived in the US, Germany and England."><br /><a href="http://www.anoukvogel.nl/">Anouk Vogel</a> è nata nel 1977 a Ginevra, Svizzera, e prima di stabilirsi in Olanda ha vissuto negli Stati Uniti, Germania e Inghilterra. </span><span title="It is this experience that has broadened her gaze, and because she doesn't hail from just one culture she is often able to trust her first impressions of a place, perhaps more so than local designers.">Probabilmente, è questa esperienza che ha ampliato il suo orizzonte e le permette di avere uno sguardo particolare rispetto al contesto in cui i suoi progetti devono calarsi. Nel contempo, questo le ha permesso di sviluppare una capacità di analisi capace di cogliere rapidamente </span></span><span class="long_text" id="result_box" lang="it" style="color: #666666; font-family: courier new;"><span title="It is this experience that has broadened her gaze, and because she doesn't hail from just one culture she is often able to trust her first impressions of a place, perhaps more so than local designers.">ed in maniera efficace lo spirito del luogo,</span></span><span class="long_text" id="result_box" lang="it" style="color: #666666; font-family: courier new;"><span title="It is this experience that has broadened her gaze, and because she doesn't hail from just one culture she is often able to trust her first impressions of a place, perhaps more so than local designers."> come testimonia l'anedotto secondo il quale </span><span title="The jury that chose her design for a temporary garden, A Chaque Château son Jardin, as the winner, was convinced that she was a 'local', so sure-footed was her response to the brief.">la giuria, che scelse il suo progetto per un giardino temporaneo </span></span><span class="long_text" id="result_box" lang="it" style="color: #666666; font-family: courier new;"><span title="The jury that chose her design for a temporary garden, A Chaque Château son Jardin, as the winner, was convinced that she was a 'local', so sure-footed was her response to the brief.">del Lausanne Jardins Festival</span></span><span class="long_text" id="result_box" lang="it" style="color: #666666; font-family: courier new;"><span title="The jury that chose her design for a temporary garden, A Chaque Château son Jardin, as the winner, was convinced that she was a 'local', so sure-footed was her response to the brief.">, era convinta che fosse una 'locale', essendo la sua proposta progettuale una perfetta risposta al brief del concorso . </span><span title="So far, she has realized projects in the Netherlands, Lithuania, Switzerland, Spain and France.">Finora, ha realizzato progetti nei Paesi Bassi, Lituania, Svizzera, Spagna e Francia. </span><span title="There is no particular focus; Vogel's interest in design and art, as well as in natural processes and biology, are expressed in different ways in all her commissions.">Non vi è alcun particolar interesse nel lavoro di Anouk Vogel: il suo interesse nel design e nell'arte, così come nei processi naturali e nella biologia, sono espressi in modi diversi in tutti i suoi progetti.</span><span title="She recently designed two gardens: the Lace Garden and the Garden of Escher."> Recentemente ha progettato due giardini: il Lace Garden (letteralmente, il Giardino del merletto) e il Giardino di Escher. </span><span title="The latter, a temporary garden, was based on a typical MC">Quest'ultimo, un giardino temporaneo, è basata su un pattern tipico di </span><span title="Escher pattern.">Escher. </span><span title="In Vogel's garden, as in the graphic artist's fine lithographs and woodcuts, there is a mirroring effect and black and white flowering plants meet and switch places in a tautly symmetrical geometric pattern.">Come nelle litografie dell'artista, anche </span></span><span class="long_text" id="result_box" lang="it" style="color: #666666; font-family: courier new;"><span title="In Vogel's garden, as in the graphic artist's fine lithographs and woodcuts, there is a mirroring effect and black and white flowering plants meet and switch places in a tautly symmetrical geometric pattern.">nel giardino progettato da Vogel viene applicato </span></span><span class="long_text" id="result_box" lang="it" style="color: #666666; font-family: courier new;"><span title="In Vogel's garden, as in the graphic artist's fine lithographs and woodcuts, there is a mirroring effect and black and white flowering plants meet and switch places in a tautly symmetrical geometric pattern.">l'effetto di rispecchiamento ma in questo caso a piante a fiore in bianco e nero, le quali si incontrano e si scambiano di posto in uno schema geometrico. </span><span title="Her fascination with biology and nature come to the fore in projects like the Bat House and the Ornithologist's House.">Il suo fascino per la biologia e la natura vengono alla ribalta in progetti come la Bat House e la Casa del ornitologi. </span><span title="The first was a competition entry designed with Johan Selbing for a visitors' centre and bat house for the London Wetland Centre.">Il primo era un concorso progettato con Johan Selbing per un centro visitatori mentre la Bat House era destinata al London Wetland Centre. </span><span title="Vogel and Selbing proposed a dome-like volume consisting of three shells simulating different roosting conditions: a cave, an attic and a wall cavity.">Vogel e Selbing proposto una cupola come volume composto da tre conchiglie che simulano diverse condizioni dormitori: una grotta, una mansarda e una cavità del muro. </span><span title="The ornithologist's house is home to birds as well as to bird-lovers.">La casa del ornitologo è una casa per gli uccelli e per gli amanti del bird watching. </span><span title="The building, an abstracted hollow tree trunk, is both dwelling and bird watching hide.">L'edificio, un albero astratto tronco cavo, è al tempo stesso dimora e un nascondiglio per bird watcher. </span><span title="All these projects, big and small, are characterized by a personalized approach and are consequently distinctive.">Tutti questi progetti, grandi e piccoli, sono caratterizzati da un approccio personalizzato e sono pertanti distintivi. </span><span title="Vogel insists this has nothing to do with size.">Vogel insiste che questo non ha nulla a che fare con la dimensione. </span><span title="Because she accepts commissions that do not tie her to a particular design strategy (she is neither a furniture maker nor an interior architect, neither biologist nor gardener) she is able to approach each project on its own merits and to choose the most fruitful collaboration.">Perché lei accetta commissioni che non la legano a una strategia di design particolare (lei non è né un fabbricante di mobili, né un architetto d'interni, né biologo né giardiniere) è in grado di affrontare ogni progetto base ai propri meriti e di scegliere la collaborazione più fruttuosa. </span><span title="In the end all Anouk Vogel's projects turn out to be 'gems'.">Alla fine tutti i progetti di Anouk Vogel si rivelano pertanto delle 'gemme'</span></span><span style="color: #999999;"><span style="color: #666666; font-family: courier new;">/</span><span style="font-family: courier new;"> Anouk Vogel was born in 1977 in Geneva, Switzerland, and before fetching up in the Netherlands she lived in the US, Germany and England. It is this experience that has broadened her gaze, and because she doesn't hail from just one culture she is often able to trust her first impressions of a place, perhaps more so than local designers. The jury that chose her design for a temporary garden, A Chaque Château son Jardin, as the winner, was convinced that she was a 'local', so sure-footed was her response to the brief. So far, she has realized projects in the Netherlands, Lithuania, Switzerland, Spain and France. There is no particular focus; Vogel's interest in design and art, as well as in natural processes and biology, are expressed in different ways in all her commissions. She recently designed two gardens: the Lace Garden and the Garden of Escher. The latter, a temporary garden, was based on a typical M.C. Escher pattern. In Vogel's garden, as in the graphic artist's fine lithographs and woodcuts, there is a mirroring effect and black and white flowering plants meet and switch places in a tautly symmetrical geometric pattern. Her fascination with biology and nature come to the fore in projects like the Bat House and the Ornithologist's House. The first was a competition entry designed with Johan Selbing for a visitors' centre and bat house for the London Wetland Centre. Vogel and Selbing proposed a dome-like volume consisting of three shells simulating different roosting conditions: a cave, an attic and a wall cavity. The ornithologist's house is home to birds as well as to bird-lovers. The building, an abstracted hollow tree trunk, is both dwelling and bird watching hide. With luck, the building will be realized in a clearing in a wood in Almere in the Netherlands. All these projects, big and small, are characterized by a personalized approach and are consequently distinctive. Vogel insists this has nothing to do with size. Because she accepts commissions that do not tie her to a particular design strategy (she is neither a furniture maker nor an interior architect, neither biologist nor gardener) she is able to approach each project on its own merits and to choose the most fruitful collaboration. In the end all Anouk Vogel's projects turn out to be 'gems'.<br /><br /><a href="http://www.anoukvogel.nl/">Link</a></span></span></div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-10985140761883731692012-04-02T14:15:00.004+02:002012-05-17T11:38:32.660+02:00Paesaggi pop-up / Pop-up landscapes<a href="http://assets.flavorwire.com/wp-content/uploads/2012/03/pop.jpg"><img alt="" border="0" src="http://assets.flavorwire.com/wp-content/uploads/2012/03/pop.jpg" style="cursor: hand; cursor: pointer; display: block; height: 402px; margin: 0px auto 10px; text-align: center; width: 600px;" /></a><br />
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<a href="http://assets.flavorwire.com/wp-content/uploads/2012/03/pop2.jpg"><img alt="" border="0" src="http://assets.flavorwire.com/wp-content/uploads/2012/03/pop2.jpg" style="cursor: hand; cursor: pointer; display: block; height: 402px; margin: 0px auto 10px; text-align: center; width: 600px;" /></a><a href="http://assets.flavorwire.com/wp-content/uploads/2012/03/pop4.jpg"><img alt="" border="0" src="http://assets.flavorwire.com/wp-content/uploads/2012/03/pop4.jpg" style="cursor: hand; cursor: pointer; display: block; height: 402px; margin: 0px auto 10px; text-align: center; width: 600px;" /></a><a href="http://assets.flavorwire.com/wp-content/uploads/2012/03/pop5.jpg"><img alt="" border="0" src="http://assets.flavorwire.com/wp-content/uploads/2012/03/pop5.jpg" style="cursor: hand; cursor: pointer; display: block; height: 365px; margin: 0px auto 10px; text-align: center; width: 600px;" /></a><br />
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<span class="long_text" id="result_box" lang="it" style="color: #333333; font-family: courier new;"><span class="hps">Andreas</span> <span class="hps">Johansson, artista svedese originario di Malm</span>o, <span class="hps">ha lavorato a lungo</span> <span class="hps">con i collage</span> <span class="hps">dove </span><span class="hps">taglia</span><span class="hps"> le fotografie</span> <span class="hps">per poi ri</span><span class="hps">costruire</span> <span class="hps">nuovi ambienti</span>, che ricordano <span class="hps">luoghi che</span> <span class="hps">tutti riconosciamo</span>. In particolare, sono gli <span class="hps">ambienti industriali</span> <span class="hps">e desolati</span> che colpiscono la sua immaginazione: l<span class="hps">'artista</span> <span class="hps">ritrae</span> <span class="hps">luoghi</span> <span class="hps">che potrebbe trovarsi</span> <span class="hps">nel</span><span class="hps"> continente</span> <span class="hps">nord-americano</span>, <span class="hps">come in</span> <span class="hps">una piccola cittadina</span> <span class="hps">svedese.</span></span><span class="long_text" id="result_box" lang="it" style="color: #333333; font-family: courier new;"><span class="hps">Il suo lavoro è costituito da</span><span class="hps"> una serie di</span> <span class="hps">libri</span> <span class="hps">pop</span>-up <span class="hps">con sei</span> <span class="hps">pagine,</span> <span class="hps">raffigurante</span> <span class="hps">un ambiente</span> <span class="hps">desolato</span> <span class="hps">e mitico.</span> <span class="hps">Il</span><span class="hps"> terreno abbandonato</span> viene mostrato <span class="hps">da diverse prospettive</span>: esso rappresenta i luoghi <span class="hps"></span><span class="hps">che</span> <span class="hps">sono spesso visitati da</span>gli <span class="hps">skater</span> <span class="hps">o da persone che viviono ai margini della società</span><span class="hps"></span>. L'<span class="hps"></span><span class="hps"> incontro</span> tra questi </span><span class="long_text" id="result_box" lang="it" style="color: #333333; font-family: courier new;"><span class="hps"></span><span class="hps">piccoli</span> <span class="hps">paesaggi</span> <span class="hps">in miniatura</span><span class="hps"> e la struttura del pop-up è </span></span><span class="long_text" id="result_box" lang="it"><span class="hps" style="color: #333333; font-family: courier new;">al tempo stesso drastico</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">e affascinante;</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">il</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">pop-up</span><span style="color: #333333; font-family: courier new;"> rappresenta un classico </span><span class="hps" style="color: #333333; font-family: courier new;">del libro</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">per bambini, legato quindi al tema dell'innocenza, </span><span style="color: #333333; font-family: courier new;">l'ambiente che viene rappresentato - o meglio ricostruito- richiama agli spazi nuovi, al margine, che richiamano la ricerca di emozione, di eccitamento.</span><span class="hps" style="color: #333333; font-family: courier new;"></span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">Come il titolo</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">indica (<span style="font-style: italic;">Da dove sta adesso il sole</span>)</span><span style="color: #333333; font-family: courier new;">, l'opera ci invita ad</span><span class="hps" style="color: #333333; font-family: courier new;">esplorare i dintorni</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">da una posizione</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">più generale</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">che punta</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">simbolicamente</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">verso il sole, come è inoltre dimostrato dalla nitidezza</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">particolare</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">delle immagini</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">che evidenzia</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">ogni dettaglio</span><span style="color: #333333; font-family: courier new;">, </span><span class="hps" style="color: #333333; font-family: courier new;">anche</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">se la fonte</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">di</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">luce</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="color: #333333; font-family: courier new;">rimane poco chiara</span><span style="color: #333333; font-family: courier new;">, </span><span class="hps" style="color: #333333; font-family: courier new;">non</span><span style="color: #333333; font-family: courier new;"> </span><span class="hps" style="font-family: courier new;"><span style="color: #333333;">identificata /</span><span style="color: #999999; font-style: italic;"><span style="color: #333333;"> </span>The exhibition features a series of pop-up books with six pages, depicting a desolated and mythic environment. In the book appears a vacant lot from different perspectives, a place at the outskirt of society that is often visited by skateboard riders or people from the margins. In small fascinating miniature landscapes, we can study an environment where people spend time on their own terms or enter a free zone in an otherwise all too transparent and structured urban environment. It is a drastic and fascinating meeting that occurs between the pop-up book’s innocent children’s book character, and the rugged environment’s connotations of youthful search for new and exciting context, as well as crime and drugs. Andreas Johansson has long worked with collages where he cuts apart photographs and then builds up new environments, reminiscent of places we all recognize. As a young skateboard riders in Vaxjo, he was drawn to industrial and desolated places, which in his imagination could just as well have been an abandoned legendary skateboarding arena in the Arizona desert. That feeling of escape and daydreaming are captured in his collages. The artist portrays places, with a careful and skillful craftsmanship, that could be found just as much on the North American continent, as in a small Swedish town. As the poetic title indicates, it is about exploring the surroundings from a more general position that symbolically points towards the sun. There is a particular sharpness in the images that highlights every detail, even if the source of the light remains unclear, and never identified.</span></span></span></div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-6676447744071759982012-03-16T09:19:00.002+01:002012-05-17T11:40:07.616+02:00Paeaggi d'arte / Landscapes of Art<a href="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_006.jpg"><img alt="" border="0" src="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_006.jpg" style="cursor: hand; cursor: pointer; display: block; height: 600px; margin: 0px auto 10px; text-align: center; width: 490px;" /></a><a href="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_002.jpg"><img alt="" border="0" src="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_002.jpg" style="cursor: hand; cursor: pointer; display: block; height: 600px; margin: 0px auto 10px; text-align: center; width: 486px;" /></a><a href="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_003.jpg"><img alt="" border="0" src="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_003.jpg" style="cursor: hand; cursor: pointer; display: block; height: 600px; margin: 0px auto 10px; text-align: center; width: 480px;" /></a><br />
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<a href="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_003.jpg"></a><br />
<a href="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_006.jpg"><img alt="" border="0" src="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_006.jpg" style="cursor: hand; cursor: pointer; display: block; height: 600px; margin: 0px auto 10px; text-align: center; width: 490px;" /></a><br />
<a href="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_008.jpg"><img alt="" border="0" src="http://zanderolsen.com/images/Zander%20Olsen_Tree,%20Line_008.jpg" style="cursor: hand; cursor: pointer; display: block; height: 476px; margin: 0px auto 10px; text-align: center; width: 600px;" /></a><br />
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<span class="" id="result_box" lang="it" style="font-family: courier new;"><span class="hps" style="color: #666666;">Si tratta di work in progress opera dell'artista Zander Olsen. Tree Line è una</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">serie </span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">di fotografie</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">"radicate"</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">nella foresta.</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">Questi lavori</span><span style="color: #666666;">, </span><span class="hps" style="color: #666666;">effettuati</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">nel Surrey</span><span style="color: #666666;">, </span><span class="hps" style="color: #666666;">Hampshire</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">e del Galles</span><span class="" style="color: #666666;">,</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">comprendono interventi</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">legati strettamente al sito e alla sua relazione con il paesaggio circostante</span><span style="color: #666666;">: Olsen </span><span class="hps atn" style="color: #666666;"></span><span style="color: #666666;">avvolge gli alberi </span><span class="hps" style="color: #666666;">con un materiale</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">bianco costruendo così un rapporto</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">visivo tra</span><span style="color: #666666;"> ciò che è </span><span class="hps" style="color: #666666;">albero,</span><span style="color: #666666;"> ciò che non lo è </span><span class="hps atn" style="color: #666666;"></span><span style="color: #666666;">e </span><span class="hps" style="color: #666666;">la linea dell'</span><span style="color: #666666;"> </span><span class="hps" style="color: #666666;">orizzonte secondo</span><span style="color: #666666;"> il </span><span class="hps" style="color: #666666;">punto di vista</span><span style="color: #666666;"> </span><span class="hps"><span style="color: #666666;">della macchina fotografica / </span><span style="color: #999999; font-style: italic;">This is an ongoing series of constructed photographs rooted in the forest. These works, carried out in Surrey, Hampshire and Wales,involve site specific interventions in the landscape, ‘wrapping’ trees with white material to construct a visual relationship between tree, not-tree and the line of horizon according to the camera’s viewpoint.</span></span></span><br />
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<a href="http://zanderolsen.com/Tree_Line.html" style="font-family: courier new;"><span style="color: #666666;">Source</span></a></div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-13677012114500804142012-03-13T15:17:00.005+01:002012-05-17T11:43:23.480+02:00Il giardino di Frida Kahlo / Frida Kahlo's garden<a href="http://aasid.parsons.edu/decorationascomposition/sites/default/files/kahlo%20casa%20azul%20garden.jpg"><img alt="" border="0" src="http://aasid.parsons.edu/decorationascomposition/sites/default/files/kahlo%20casa%20azul%20garden.jpg" style="cursor: pointer; display: block; height: 404px; margin: 0px auto 10px; text-align: center; width: 551px;" /></a><br />
<a href="http://www.american-buddha.com/fridabrush.62.gif"><img alt="" border="0" src="http://www.american-buddha.com/fridabrush.62.gif" style="cursor: pointer; display: block; height: 477px; margin: 0px auto 10px; text-align: center; width: 549px;" /></a><a href="http://aasid.parsons.edu/decorationascomposition/sites/default/files/casa%20azul.jpg"><img alt="" border="0" src="http://aasid.parsons.edu/decorationascomposition/sites/default/files/casa%20azul.jpg" style="cursor: pointer; display: block; height: 697px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><br />
<a href="http://aasid.parsons.edu/decorationascomposition/sites/default/files/kahlo%20casa%20azul%20garden.jpg"></a><a href="http://theothersideofthetortilla.com/wp-content/uploads/2010/08/garden-2.jpg"><img alt="" border="0" src="http://theothersideofthetortilla.com/wp-content/uploads/2010/08/garden-2.jpg" style="cursor: pointer; display: block; height: 413px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><br />
<a href="http://theothersideofthetortilla.com/wp-content/uploads/2010/08/garden-1-400px.jpg"><img alt="" border="0" src="http://theothersideofthetortilla.com/wp-content/uploads/2010/08/garden-1-400px.jpg" style="cursor: pointer; display: block; height: 734px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><a href="http://www.iasa-web.org/sites/default/files/images/Blue%20house%20of%20the%20Mexican%20Artist,%20Frida%20Kahlo_4.jpg"><img alt="" border="0" src="http://www.iasa-web.org/sites/default/files/images/Blue%20house%20of%20the%20Mexican%20Artist,%20Frida%20Kahlo_4.jpg" style="cursor: pointer; display: block; height: 412px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><a href="http://v8.cache4.c.bigcache.googleapis.com/static.panoramio.com/photos/original/11296709.jpg?redirect_counter=1"><img alt="" border="0" src="http://v8.cache4.c.bigcache.googleapis.com/static.panoramio.com/photos/original/11296709.jpg?redirect_counter=1" style="cursor: pointer; display: block; height: 412px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><a href="http://v20.lscache6.c.bigcache.googleapis.com/static.panoramio.com/photos/original/11296489.jpg"><img alt="" border="0" src="http://v20.lscache6.c.bigcache.googleapis.com/static.panoramio.com/photos/original/11296489.jpg" style="cursor: pointer; display: block; height: 412px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><a href="http://v8.cache7.c.bigcache.googleapis.com/static.panoramio.com/photos/original/11296401.jpg?redirect_counter=1"><img alt="" border="0" src="http://v8.cache7.c.bigcache.googleapis.com/static.panoramio.com/photos/original/11296401.jpg?redirect_counter=1" style="cursor: pointer; display: block; height: 412px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5N9fgdiH9jNM5uy-6FX2CzBS_5wcHvs1E2Tq2IJp5gjKCRJEy8ySZjY0Ktr9MQ1GOBfFsRfm6I4ulB-tLkPU-RviPwnHW-5g87NkHpuluNwtSvIG9MlKrzQX0uCRfMQmvmka0E5awbrZ7/s1600/df_frida04.JPG"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5N9fgdiH9jNM5uy-6FX2CzBS_5wcHvs1E2Tq2IJp5gjKCRJEy8ySZjY0Ktr9MQ1GOBfFsRfm6I4ulB-tLkPU-RviPwnHW-5g87NkHpuluNwtSvIG9MlKrzQX0uCRfMQmvmka0E5awbrZ7/s1600/df_frida04.JPG" style="cursor: pointer; display: block; height: 825px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><br />
<a href="http://www.moplants.com/blog/wp-content/uploads/2006/06/fridas%20bedroom%20070.jpg"><img alt="" border="0" src="http://www.moplants.com/blog/wp-content/uploads/2006/06/fridas%20bedroom%20070.jpg" style="cursor: pointer; display: block; height: 644px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><br />
<a href="http://belindaschneider.files.wordpress.com/2008/03/casa_azul_jardin-view-frida-bedroom.jpg"><img alt="" border="0" src="http://belindaschneider.files.wordpress.com/2008/03/casa_azul_jardin-view-frida-bedroom.jpg" style="cursor: pointer; display: block; height: 732px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><br />
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<a href="http://v1.cache4.c.bigcache.googleapis.com/static.panoramio.com/photos/original/11296631.jpg?redirect_counter=1"><img alt="" border="0" src="http://v1.cache4.c.bigcache.googleapis.com/static.panoramio.com/photos/original/11296631.jpg?redirect_counter=1" style="cursor: pointer; display: block; height: 411px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a></div>
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<a href="http://v4.cache6.c.bigcache.googleapis.com/static.panoramio.com/photos/original/11296676.jpg?redirect_counter=1"><img alt="" border="0" src="http://v4.cache6.c.bigcache.googleapis.com/static.panoramio.com/photos/original/11296676.jpg?redirect_counter=1" style="cursor: pointer; display: block; height: 413px; margin: 0px auto 10px; text-align: center; width: 550px;" /></a><span class="" id="result_box" lang="it" style="color: #666666;"><span class="hps">La</span> <span class="hps">Casa</span> <span class="hps">Azul</span> <span class="hps atn">[</span>La Casa blu] <span class="hps">era il luogo dove</span> <span class="hps">Frida</span> <span class="hps">Kahlo</span>, <span class="hps">l'artista </span><span class="hps atn">latino-</span><span class="">americana</span></span><span class="" id="result_box" lang="it" style="color: #666666;"><span class="hps"> più</span> <span class="hps">famosa</span> </span><span class="" id="result_box" lang="it" style="color: #666666;"><span class=""> nel mondo</span>, è nata<span class="hps"></span>, <span class="hps">vissuta,</span> <span class="hps">e ha esalato</span> <span class="hps">il suo ultimo respiro</span>. <span class="hps">L'edificio,</span> <span class="hps">che risale</span> <span class="hps">al 1904</span>, non era <span class="hps">una grande</span> <span class="hps">costruzione.</span> <span class="hps">Oggi</span> <span class="hps">dispone di un</span> <span class="hps">edificio</span> <span class="hps">800 m2</span> <span class="hps">circondato</span> <span class="hps">da un terreno</span> <span class="hps">di 1200</span> <span class="hps">m2</span>. <span class="hps">Diego e</span> <span class="hps">Frida</span> <span class="hps">la riempierono</span><span class="hps"> di colore</span>, <span class="hps">arte popolare</span>, <span class="hps atn">e pezzi di arte pre-</span>ispanica<span class="hps"></span> <span class="hps">per dimostrare la loro</span> <span class="hps">ammirazione per i</span> <span class="hps">popoli e le culture</span> <span class="hps">del Messico.</span></span><span class="" id="result_box" lang="it" style="color: #666666;"> </span><span class="" id="result_box" lang="it" style="color: #666666;"><span class="hps">La costruzione</span> <span class="hps">ha subito</span> <span class="hps">due importanti modifiche</span>. L</span><span class="" id="result_box" lang="it" style="color: #666666;">a zona <span class="hps">oggi occupata</span> <span class="hps">dal giardino</span> <span class="hps">è stato acquistata </span></span><span class="" id="result_box" lang="it" style="color: #666666;"><span class="hps">quando</span> il <span class="hps">rivoluzionario russo</span> <span class="hps">Leon</span> <span class="hps">Trotsky</span> <span class="hps">viveva con</span> <span class="hps">Diego</span> <span class="hps">e</span> <span class="hps">Frida</span> <span class="hps">nel 1937</span><span class="hps"></span><span class="hps"></span><span class="hps"></span>.</span><span class="" id="result_box" lang="it" style="color: #666666;"><span class="hps"> Seguendo</span> <span class="hps">i desideri</span> <span class="hps">di Diego</span>, <span class="hps">la</span> <span class="hps">Casa</span> <span class="hps">Azul</span> <span class="hps">è stato trasformato</span> <span class="hps">in museo</span> <span class="hps">nel 1958</span>, <span class="hps">quattro</span> <span class="hps">anni dopo la</span> <span class="hps">morte</span> <span class="hps">di Frida</span> <span class="hps">Kahlo</span>.</span><span class="" id="result_box" lang="it" style="color: #666666;"><span class="hps"> La casa di</span> <span class="hps">Coyoacán</span> <span class="hps">parla della</span> <span class="hps">vita quotidiana di</span> <span class="hps">Frida</span> <span class="hps">e Diego</span><span class="hps"></span><span class="hps"> e</span> <span class="hps">riflette</span> <span class="hps">anche l'amore</span> <span class="hps">della coppia</span> <span class="hps">per l'arte</span> <span class="hps">popolare,</span> <span class="hps">come rappresentato dalle</span> <span class="hps">figure</span> <span class="hps">di cartapesta</span> <span class="hps">di Giuda</span> <span class="hps">di Carmen</span> <span class="hps">Caballero</span> <span class="hps">e le sculture di</span> <span class="hps">Mardonio</span> <span class="hps">Magaña</span>. <span class="hps">La collezionedisposta lungo</span><span class="hps"></span> <span class="hps">la scala è</span> <span class="hps">uno delle più</span> <span class="hps">importanti del paese</span>. <span class="hps">Entrambi i</span> <span class="hps">pittori</span> <span class="hps">raccolsero</span> <span class="hps">pezzi di</span> <span class="hps">arte pre-ispanica</span> e <span class="hps">molti di</span> <span class="hps">questi vennero usati per</span> <span class="hps">decorare gli interni</span> <span class="hps">e il giardino</span>, dove spicca la piramide costruita su desiderio di <span class="hps">Diego Rivera in modo da usarla per esporre </span><span class="hps">i suoi</span> <span class="hps">pezzi preferiti</span><span class=""> /<span style="color: silver; font-style: italic;"> La Casa Azul [The Blue House] was the place where Frida Kahlo, the most renowned Latin American artist in the world, came into this world, lived, and took her last breath. The building, which dates to 1904, was not a large-scale construction. Today it has an 800 m2 building surrounded by property measuring 1200 m2. Diego and Frida filled it with color, folk art, and pre-Hispanic pieces to show their admiration for the peoples and cultures of Mexico.</span></span></span><span class="" id="result_box" lang="it" style="color: silver; font-style: italic;"><span class=""> </span></span><span class="" id="result_box" lang="it" style="color: silver; font-style: italic;"><span class="">The construction underwent two major modifications. When Russian revolutionary Leon Trotsky lived with Diego and Frida in 1937, the property today occupied by the garden was purchased. In 1946 Diego Rivera asked Juan O’Gorman to build Frida’s studio.</span></span><span class="" id="result_box" lang="it" style="color: silver; font-style: italic;"><span class=""> Following Diego’s wishes, the Casa Azul was turned into a museum in 1958, four years after Frida Kahlo died. </span></span><span class="" id="result_box" lang="it" style="color: silver; font-style: italic;"><span class="">The house in Coyoacán speaks of the daily life of Frida and Diego. The kitchen and dining room show signs of the pleasure they took in entertaining the luminaries who visited them. The Casa Azul also reflects the couple’s love for folk art, such as the papier-mâché judas figures by Carmen Caballero and the sculptures by Mardonio Magaña. The ex-voto collection on the stairway is one of the most important in the country. Both painters also collected pieces of pre-Hispanic art. Many of these pieces decorate the interior and gardens, where Diego had a pyramid built to put his favorite pieces.</span></span><br />
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<a href="http://www.museofridakahlo.org.mx/">http://www.museofridakahlo.org.mx</a>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-39008422363957762302012-03-13T08:52:00.003+01:002012-05-17T11:42:10.016+02:00Serpentine Pavillion: Zumthor+ Oudolf<a href="http://s3.amazonaws.com/europaconcorsi/project_images/2645155/IMG_0155_full.jpg"><img alt="" border="0" src="http://s3.amazonaws.com/europaconcorsi/project_images/2645155/IMG_0155_full.jpg" style="cursor: pointer; display: block; height: 356px; margin: 0px auto 10px; text-align: center; width: 539px;" /></a><br />
<a href="http://s3.amazonaws.com/europaconcorsi/project_images/2645065/IMG_0003_full.jpg"><img alt="" border="0" src="http://s3.amazonaws.com/europaconcorsi/project_images/2645065/IMG_0003_full.jpg" style="cursor: pointer; display: block; height: 360px; margin: 0px auto 10px; text-align: center; width: 540px;" /></a><a href="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2011/6/27/1309184097749/Architect-Peter-Zumthor--001.jpg"><img alt="" border="0" src="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2011/6/27/1309184097749/Architect-Peter-Zumthor--001.jpg" style="cursor: pointer; display: block; height: 345px; margin: 0px auto 10px; text-align: center; width: 542px;" /></a><a href="http://s0.geograph.org.uk/geophotos/02/50/35/2503567_62c91885.jpg"><img alt="" border="0" src="http://s0.geograph.org.uk/geophotos/02/50/35/2503567_62c91885.jpg" style="cursor: pointer; display: block; height: 690px; margin: 0px auto 10px; text-align: center; width: 518px;" /></a><a href="http://s3.amazonaws.com/europaconcorsi/project_images/2645072/IMG_0005_full.jpg"><img alt="" border="0" src="http://s3.amazonaws.com/europaconcorsi/project_images/2645072/IMG_0005_full.jpg" style="cursor: pointer; display: block; height: 364px; margin: 0px auto 10px; text-align: center; width: 546px;" /></a><br />
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<a href="http://i.telegraph.co.uk/multimedia/archive/01933/piet-oudolf-3_1933621c.jpg"><img alt="" border="0" src="http://i.telegraph.co.uk/multimedia/archive/01933/piet-oudolf-3_1933621c.jpg" style="cursor: pointer; display: block; height: 643px; margin: 0px auto 10px; text-align: center; width: 523px;" /></a><br />
<a href="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2011/6/27/1309184104742/The-Serpentine-Gallery-Pa-006.jpg"><img alt="" border="0" src="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2011/6/27/1309184104742/The-Serpentine-Gallery-Pa-006.jpg" style="cursor: pointer; display: block; height: 351px; margin: 0px auto 10px; text-align: center; width: 529px;" /></a><a href="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2011/6/27/1309184098922/The-Serpentine-Gallery-Pa-002.jpg"><img alt="" border="0" src="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2011/6/27/1309184098922/The-Serpentine-Gallery-Pa-002.jpg" style="cursor: pointer; display: block; height: 358px; margin: 0px auto 10px; text-align: center; width: 538px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggcXpnnKIJMopsrphQj5XISq15Wwv2XxYa2uplj7DS4v-BXbpTT48OuKUNNW8UJ2HeulDaLg3_lWYzw_50EKjVDxYQ46oOXA9NBP-mIcTG4A2ncIuLKQKJ1rVijuNn4MootqAbFOpWwVW-/s1600/Serpentine.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggcXpnnKIJMopsrphQj5XISq15Wwv2XxYa2uplj7DS4v-BXbpTT48OuKUNNW8UJ2HeulDaLg3_lWYzw_50EKjVDxYQ46oOXA9NBP-mIcTG4A2ncIuLKQKJ1rVijuNn4MootqAbFOpWwVW-/s1600/Serpentine.jpg" style="cursor: pointer; display: block; height: 382px; margin: 0px auto 10px; text-align: center; width: 539px;" /></a><br />
<a href="http://www.archilovers.com/upload/BigImageProject/b_730_d5c4fb4b-5a59-4434-a356-89f46784eae9.jpg"><img alt="" border="0" src="http://www.archilovers.com/upload/BigImageProject/b_730_d5c4fb4b-5a59-4434-a356-89f46784eae9.jpg" style="cursor: pointer; display: block; height: 801px; margin: 0px auto 10px; text-align: center; width: 536px;" /></a><br />
<a href="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2011/6/27/1309184102418/Serpentine-Gallery-Pavill-004.jpg"><img alt="" border="0" src="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2011/6/27/1309184102418/Serpentine-Gallery-Pavill-004.jpg" style="cursor: pointer; display: block; height: 356px; margin: 0px auto 10px; text-align: center; width: 540px;" /></a><br />
<a href="https://lh5.googleusercontent.com/-ExYEanwka7A/ToLk8y0fRuI/AAAAAAAAB28/uw83PNqL0ZA/s1152/serpentine%20gallery.jpg"><img alt="" border="0" src="https://lh5.googleusercontent.com/-ExYEanwka7A/ToLk8y0fRuI/AAAAAAAAB28/uw83PNqL0ZA/s1152/serpentine%20gallery.jpg" style="cursor: pointer; display: block; height: 356px; margin: 0px auto 10px; text-align: center; width: 538px;" /></a><br />
<a href="http://www.momolivingonline.com/uploads/blog/serpentine-pavillion-blog2.jpg"><img alt="" border="0" src="http://www.momolivingonline.com/uploads/blog/serpentine-pavillion-blog2.jpg" style="cursor: pointer; display: block; height: 1214px; margin: 0px auto 10px; text-align: center; width: 545px;" /></a><br />
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<span class="long_text" id="result_box" lang="it" style="color: #666666;"><span title="Every summer, the Serpentine Gallery in Kensington Gardens unveils a new pavilion built by a renowned architect, designed to stand for just three months."><br /><br />Ogni estate, alla Serpentine Gallery in Kensington Gardens, si svela un nuovo padiglione costruito da un noto architetto, progettato per durare per soli tre mesi. </span><span title="This avant-garde happening is a high point in London's calendar.">Questo avveninmento d'avanguardia è un must nel calendario londinese. </span><span title="The Serpentine Gallery Pavilion 2011 is designed by world-renowned Swiss architect Peter Zumthor.">Il Padiglione del 2011 è stato progettato dal famoso architetto svizzero Peter Zumthor e rappresenta il</span><span title="This year's Pavilion is the 11th commission in the Gallery's annual series, the world's first and most ambitious architectural programme of its kind."> programma molto ambizioso: </span><span title="It is the architect's first completed building in the UK and includes a specially created garden by the influential Dutch designer Piet Oudolf.">l' edificio, il primo completato dall'architetto nel Regno Unito, comprenderà un giardino appositamente creato dal noto designer olandese Piet Oudolf</span><span title="At the heart of Peter Zumthor's Pavilion is a garden that the architect hopes will inspire visitors to become observers.">. Secondo l'architetto svizzero, il giardino ispirerà i visitatori a trasformarsi in osservatori e aiutarli così </span><span title="Zumthor says his design 'aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not.' The design emphasises the role the senses and emotions play in our experience of architecture.">a rilassarsi, per osservare e poi, forse, iniziare a parlare di nuovo: il design dovrebbe sottolineare il ruolo dei sensi e le emozioni che entrano in gioco nella nostra esperienza dell'architettura. </span><span title="With a refined selection of materials Zumthor creates contemplative spaces that evoke the spiritual dimension of our physical environment.">Con una raffinata selezione di materiali Zumthor crea spazi contemplativi che evocano la dimensione spirituale del nostro ambiente fisico. </span><span title="As always, Zumthor's aesthetic goal is to customise the building precisely to its purpose as a physical body and an object of emotional experience.">Come sempre, l'obiettivo estetico di Zumthor è quello di personalizzare il proprio edificio in modo che si trasformi in un oggetto di esperienza emozionale. </span><span title="Zumthor has stated that 'the concept for this year's Pavilion is the hortus conclusus, a contemplative room, a garden within a garden.">Zumthor ha dichiarato che il concetto per il Padiglione di quest'anno è l'hortus conclusus, una stanza contemplativa, un giardino all'interno di un giardino. </span><span title="The building acts as a stage, a backdrop for the interior garden of flowers and light.">L'edificio agisce come un palcoscenico, uno sfondo per il giardino interno fatto di di fiori e di luce. </span><span title="Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the">Attraverso il buio e l'ombra si entra nell'edificio dal prato e inizia la transizione verso il giardino centrale, un luogo separato dal mondo e dal rumore e del traffico e dagli odori di Londra - uno spazio interno in cui sedersi, camminare, osservare i </span><span title="flowers.">fiori. </span><span title="This experience will be intense and memorable, as will the materials themselves – full of memory and time.' Atmosphere is important to Zumthor, and his architecture seeks to engage the senses.">Questa esperienza sarà intensa e memorabile, così come le stesse materie -. 'Atmosfera carica di memoria e di tempo è importante per Zumthor, e la sua architettura cerca di coinvolgere i sensi. </span><span title="But in this deceptively simple building he has stripped away all distracting details.">Ma in questo edificio apparentemente semplice che ha strappato via tutti i dettagli che distraggono. </span><span title="The only colour is a vivid blue bench around four sides.">Il colore è costituito da una sola panchina di vivido blu posta attorno ai quattro lati. </span><span title="All eyes will be on the plants – and the process of contemplation can begin.">Tutti gli occhi saranno puntati sulle piante - e il processo di contemplazione potrà iniziare. </span><span title="“Zumthor envisaged a very open, sunny garden in what is a very enclosed, sheltered space,” says Oudolf.">"Zumthor prevedeva una zona molto aperta, un giardino soleggiato all'interno di quello che è uno spazio molto chiusoin quello che è molto chiuso, dice Oudolf. </span><span title="“I had to explain to him that I would make the planting better suited to the north face of a building, or a woodland edge.”">"Ho dovuto spiegargli che l'intervento sarebbe stato più adatto per la parete nord dell'edificio, come al bordo di un bosco."</span><span title="I imagined something to dream in, something loose and wild,” he says."> Ho immaginato un luogo che evochi il sogno, dove ci si perde e si scopra qualcosa di naturale, selvaggio ", dice. </span><span title="“I look for silhouettes and textures, plants that look interesting before they are in flower.” Deep reds, as in Astrantia major 'Claret' and Monarda 'Jacob Cline' are a favourite of his: “This colour tends to be slightly shocking,">"Cerco sagome e testure, piante che siano interessanti prima della fioritura." Rossi profondi, come la Astrantia </span></span><span class="long_text" id="result_box" lang="it" style="color: #666666;"><span title="“I look for silhouettes and textures, plants that look interesting before they are in flower.” Deep reds, as in Astrantia major 'Claret' and Monarda 'Jacob Cline' are a favourite of his: “This colour tends to be slightly shocking,">'Claret' </span></span><span class="long_text" id="result_box" lang="it" style="color: #666666;"><span title="“I look for silhouettes and textures, plants that look interesting before they are in flower.” Deep reds, as in Astrantia major 'Claret' and Monarda 'Jacob Cline' are a favourite of his: “This colour tends to be slightly shocking,"> e Monarda 'Jacob Cline' sono un suo must, perchè il colore tende ad essere un po 'scioccante, </span><span title="an articulation of something primitive.">un'articolazione di qualcosa di primitivo. </span><span title="Not too much, just a little punctuation gets attention.” Grasses such as Molinia 'Transparent', keep the overall effect soft and hazy, conducive to the state of elevated daydreaming.">Non troppo, solo un po 'di punteggiatura ottiene l'attenzione. Graminacee trasparenti come la Molinia contribuiscono a dare un effetto complessivo morbido e sfumato, favorevole allo stato di sogno ad occhi aperti che si vuole creare. </span><span title="“I want visitors to see that architecture is simple and planting is complex.">Il desideri di Oudolf è che i visitatori vedano che l'architettura è semplice e la piantumazione complessa perchè l'osservazione delle piante stimola un pensiero diverso, connesso al nostro spazio interiore: questo è ciò che è un </span><span title="That’s what a hortus conclusus is for."> hortus conclusus, uno spazio semplice e contemporanemaente c</span><span title="It’s simple, in a complex way.”">omplesso </span></span><span style="color: #999999; font-style: italic;">/ Every summer, the Serpentine Gallery in Kensington Gardens unveils a new pavilion built by a renowned architect, designed to stand for just three months. This avant-garde happening is a high point in London’s calendar. The Serpentine Gallery Pavilion 2011 is designed by world-renowned Swiss architect Peter Zumthor. This year’s Pavilion is the 11th commission in the Gallery’s annual series, the world’s first and most ambitious architectural programme of its kind. It is the architect’s first completed building in the UK and includes a specially created garden by the influential Dutch designer Piet Oudolf. At the heart of Peter Zumthor’s Pavilion is a garden that the architect hopes will inspire visitors to become observers. Zumthor says his design ‘aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not.’ The design emphasises the role the senses and emotions play in our experience of architecture. With a refined selection of materials Zumthor creates contemplative spaces that evoke the spiritual dimension of our physical environment. As always, Zumthor’s aesthetic goal is to customise the building precisely to its purpose as a physical body and an object of emotional experience. Zumthor has stated that ‘the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden. The building acts as a stage, a backdrop for the interior garden of flowers and light. Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the flowers. This experience will be intense and memorable, as will the materials themselves – full of memory and time.’ Atmosphere is important to Zumthor, and his architecture seeks to engage the senses. But in this deceptively simple building he has stripped away all distracting details. The only colour is a vivid blue bench around four sides. All eyes will be on the plants – and the process of contemplation can begin. “Zumthor envisaged a very open, sunny garden in what is a very enclosed, sheltered space,” says Oudolf. “I had to explain to him that I would make the planting better suited to the north face of a building, or a woodland edge.” </span></div>
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<span style="font-family: courier new;">I imagined something to dream in, something loose and wild,” he says. “I look for silhouettes and textures, plants that look interesting before they are in flower.” Deep reds, as in Astrantia major 'Claret’ and Monarda 'Jacob Cline’ are a favourite of his: “This colour tends to be slightly shocking, an articulation of something primitive. Not too much, just a little punctuation gets attention.” Grasses such as Molinia 'Transparent’, keep the overall effect soft and hazy, conducive to the state of elevated daydreaming. “I want visitors to see that architecture is simple and planting is complex. Looking into plants brings you into another kind of thinking, connected with inner space. That’s what a hortus conclusus is for. It’s simple, in a complex way.” </span></div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-32355928909943084612012-03-06T11:55:00.003+01:002012-05-17T11:40:34.498+02:00Giardino interiore/Interior Garden<a href="http://www.miss-design.com/wp-content/uploads/2011/08/Interior_Maurizio-Zucchi-home_Ideat-Magazine_June-2011_yellowtrace_0211.jpg"><img alt="" border="0" src="http://www.miss-design.com/wp-content/uploads/2011/08/Interior_Maurizio-Zucchi-home_Ideat-Magazine_June-2011_yellowtrace_0211.jpg" style="cursor: hand; cursor: pointer; display: block; height: 771px; margin: 0px auto 10px; text-align: center; width: 610px;" /></a><br />
<a href="http://www.miss-design.com/wp-content/uploads/2011/08/Interior_Maurizio-Zucchi-home_Ideat-Magazine_June-2011_yellowtrace_031.jpg"><img alt="" border="0" src="http://www.miss-design.com/wp-content/uploads/2011/08/Interior_Maurizio-Zucchi-home_Ideat-Magazine_June-2011_yellowtrace_031.jpg" style="cursor: hand; cursor: pointer; display: block; height: 775px; margin: 0px auto 10px; text-align: center; width: 610px;" /></a><br />
<a href="http://www.miss-design.com/wp-content/uploads/2011/08/Interior_Maurizio-Zucchi-home_Ideat-Magazine_June-2011_yellowtrace_011.jpg"><img alt="" border="0" src="http://www.miss-design.com/wp-content/uploads/2011/08/Interior_Maurizio-Zucchi-home_Ideat-Magazine_June-2011_yellowtrace_011.jpg" style="cursor: hand; cursor: pointer; display: block; height: 714px; margin: 0px auto 10px; text-align: center; width: 610px;" /></a><br />
<a href="http://the189.com/wordpress/wp-content/uploads/2011/07/Maurizio-Zucchi-Life-Among-Cacti-5.jpg"><img alt="" border="0" src="http://the189.com/wordpress/wp-content/uploads/2011/07/Maurizio-Zucchi-Life-Among-Cacti-5.jpg" style="cursor: hand; cursor: pointer; display: block; height: 470px; margin: 0px auto 10px; text-align: center; width: 630px;" /></a><br />
<a href="http://the189.com/wordpress/wp-content/uploads/2011/07/Maurizio-Zucchi-Life-Among-Cacti-4.jpg"><img alt="" border="0" src="http://the189.com/wordpress/wp-content/uploads/2011/07/Maurizio-Zucchi-Life-Among-Cacti-4.jpg" style="cursor: hand; cursor: pointer; display: block; height: 800px; margin: 0px auto 10px; text-align: center; width: 630px;" /></a><span style="font-size: 100%;"><span style="font-family: courier new;"><span style="color: #666666;">Incredibili immagini che mostrano la casa-giardino di Michele Zucchi, della celeberrima Zucchi /</span><span style="color: silver;"> Breathtaking images from the garden-home of Michele Zucchi from the well known Zucchi company<br /><br /><br />via Elle Decor Kores</span></span></span><span style="color: silver;"></span>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-8828270283495911852012-03-06T08:56:00.000+01:002012-05-17T11:44:04.775+02:00Natura morta II<a href="http://www.stillstars.com/sites/default/files/Wuchner_1-0060.jpg"><img alt="" border="0" src="http://www.stillstars.com/sites/default/files/Wuchner_1-0060.jpg" style="cursor: pointer; display: block; height: 447px; margin: 0px auto 10px; text-align: center; width: 667px;" /></a><br />
<a href="http://www.stillstars.com/sites/default/files/Wuchner_1-0070.jpg"><img alt="" border="0" src="http://www.stillstars.com/sites/default/files/Wuchner_1-0070.jpg" style="cursor: pointer; display: block; height: 443px; margin: 0px auto 10px; text-align: center; width: 665px;" /></a><br />
<a href="http://www.stillstars.com/sites/default/files/Wuchner_1-0050.jpg"><img alt="" border="0" src="http://www.stillstars.com/sites/default/files/Wuchner_1-0050.jpg" style="cursor: pointer; display: block; height: 444px; margin: 0px auto 10px; text-align: center; width: 666px;" /></a><a href="http://giardiniribelli.blogspot.com/2012/03/naturae-mortae.html"><span style="font-family: courier new;">Link</span></a>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-68975361592323145392012-03-05T08:48:00.003+01:002012-05-17T11:43:56.042+02:00Natura morta I<span style="color: #666666; font-family: courier new;">Natura Morta + Heinz Wuchner.</span><br />
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<a href="http://www.stillstars.com/sites/default/files/Wuchner_1-0010_0.jpg"><img alt="" border="0" src="http://www.stillstars.com/sites/default/files/Wuchner_1-0010_0.jpg" style="cursor: pointer; display: block; height: 398px; margin: 0px auto 10px; text-align: center; width: 595px;" /></a><a href="http://www.stillstars.com/sites/default/files/Wuchner_1-0020_0.jpg"><img alt="" border="0" src="http://www.stillstars.com/sites/default/files/Wuchner_1-0020_0.jpg" style="cursor: pointer; display: block; height: 399px; margin: 0px auto 10px; text-align: center; width: 597px;" /></a><a href="http://www.stillstars.com/sites/default/files/Wuchner_1-0040.jpg"><img alt="" border="0" src="http://www.stillstars.com/sites/default/files/Wuchner_1-0040.jpg" style="cursor: pointer; display: block; height: 399px; margin: 0px auto 10px; text-align: center; width: 597px;" /></a><br />
<a href="http://www.stillstars.com/sites/default/files/Wuchner_1-0075.jpg"><img alt="" border="0" src="http://www.stillstars.com/sites/default/files/Wuchner_1-0075.jpg" style="cursor: pointer; display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 598px;" /></a><br />
<a href="http://www.stillstars.com/sites/default/files/Wuchner_1-0076.jpg"><img alt="" border="0" src="http://www.stillstars.com/sites/default/files/Wuchner_1-0076.jpg" style="cursor: pointer; display: block; height: 404px; margin: 0px auto 10px; text-align: center; width: 604px;" /></a><br />
<a href="http://www.wuchner.net/"><span style="color: silver; font-family: courier new;">Link</span></a>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-69049835899351431062012-02-14T13:03:00.003+01:002012-05-17T11:44:39.620+02:00Gioielli temporanei / Temporary jewelry<a href="http://www.wietekeopmeer.nl/images/portfolio/zaaisieraad/zaaisieraad_1_closeup.jpg"><img alt="" border="0" src="http://www.wietekeopmeer.nl/images/portfolio/zaaisieraad/zaaisieraad_1_closeup.jpg" style="cursor: hand; cursor: pointer; display: block; height: 540px; margin: 0px auto 10px; text-align: center; width: 360px;" /></a><br />
<a href="http://www.wietekeopmeer.nl/images/portfolio/zaaisieraad/zaaisieraad_2_closeup.jpg"><img alt="" border="0" src="http://www.wietekeopmeer.nl/images/portfolio/zaaisieraad/zaaisieraad_2_closeup.jpg" style="cursor: hand; cursor: pointer; display: block; height: 540px; margin: 0px auto 10px; text-align: center; width: 360px;" /></a><br />
<a href="http://www.wietekeopmeer.nl/images/portfolio/zaaisieraad/zaaisieraad_2.jpg"><img alt="" border="0" src="http://www.wietekeopmeer.nl/images/portfolio/zaaisieraad/zaaisieraad_2.jpg" style="cursor: hand; cursor: pointer; display: block; height: 540px; margin: 0px auto 10px; text-align: center; width: 360px;" /></a><br />
<a href="http://www.wietekeopmeer.nl/images/portfolio/zaaisieraad/zaaisieraad_1.jpg"><img alt="" border="0" src="http://www.wietekeopmeer.nl/images/portfolio/zaaisieraad/zaaisieraad_1.jpg" style="cursor: hand; cursor: pointer; display: block; height: 540px; margin: 0px auto 10px; text-align: center; width: 360px;" /></a><br />
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<span class="" id="result_box" lang="it"><span class="hps"></span><span class="hps"></span><span class="hps" style="color: #666666; font-family: courier new;"><br /><br />Una serie</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">di gioielli</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">dalla natura temporanea</span><span style="color: #666666; font-family: courier new;">, </span><span class="hps" style="color: #666666; font-family: courier new;">modellati</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">in tessuto</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">solubile in acqua e</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">semi di</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">fiori selvatici</span><span style="color: #666666; font-family: courier new;">, alcuni </span><span class="hps" style="color: #666666; font-family: courier new;">colorati con</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">tè verde.</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">I pezzi</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">possono</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">essere indossati</span><span style="color: #666666; font-family: courier new;">, </span><span class="hps" style="color: #666666; font-family: courier new;">ma</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">dopo</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">un certo tempo</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">si sciolgono</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">lentamente</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">al</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">contatto</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">con fluidi</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps atn" style="color: #666666; font-family: courier new;">(</span><span style="color: #666666; font-family: courier new;">sudore, </span><span class="hps" style="color: #666666; font-family: courier new;">pioggia</span><span style="color: #666666; font-family: courier new;">, </span><span class="hps" style="color: #666666; font-family: courier new;">ecc</span><span class="" style="color: #666666; font-family: courier new;">)</span><span style="color: #666666; font-family: courier new;">. </span><span class="hps" style="color: #666666; font-family: courier new;">Quando una delle</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">collane</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">non può essere indossata</span><span style="color: #666666; font-family: courier new;"> </span><span class="hps" style="color: #666666; font-family: courier new;">più, il gioiello diviene una seedbomb da poter depositare in qualsiasi angolo, dove si dissolverà. Materiale </span></span><span class="" id="result_box" lang="it" style="color: #666666; font-family: courier new;"><span class="hps">: </span><span class="hps">tessuto </span></span><span class="" id="result_box" lang="it" style="color: #666666; font-family: courier new;"><span class="hps">solubile in</span> <span class="hps">acqua</span> <span class="hps">in </span></span><span class="" id="result_box" lang="it" style="color: #666666; font-family: courier new;"><span class="hps"></span>, filo solubile in<span class="hps"> acqua</span><span class="hps"></span>, <span class="hps">miscela di semi</span> <span class="hps">di fiori</span>, <span class="hps">colorante verde </span></span><span class="" id="result_box" lang="it" style="color: #666666; font-family: courier new;">naturale /</span><span style="color: silver; font-family: courier new; font-style: italic;">A series of jewelry of temporary nature, fashioned out of water soluble fabric and seeds of wild flowers, some colored with green tea. The pieces can be worn, but after some time they dissolve slowly by contact with fluids (perspiration, rain, etc.). When one of the necklaces cannot be worn anymore, or when the owner feels the need to part with it, it can be placed on a nice spot in a natural environment. Here it will dissolve. Later, wild flowers will grow on that spot. Materials: water soluble fabric, water souble thread, flower seed mixture, natural green dye.<br />Artist: Wieteke Opmeer</span><span style="color: #999999; font-family: courier new;"><br /><a href="http://www.wietekeopmeer.nl/portfolio.php">Source</a></span><span style="color: silver; font-family: courier new; font-style: italic;"><br /></span></div>
<span class="" id="result_box" lang="it"><span class="hps"></span></span>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-49561122551036377162012-02-14T12:47:00.006+01:002012-05-17T11:44:57.739+02:00Nuovi Gioielli Green / More Living jewelry<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAKCcmb6SiE_9PYlVsCBhI9SXVZ9uc3rKVk-HHc48wyNtu3cH5G5CFaq1WFII2ASg7b73RmiQcYEvuTR4GePTUutYC-jroG5TZy37MI-iRuVtblrSjyWGot0H4oKbDAPajxfQiDFWSWpQn/s1600/za+blog-zeleni1.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAKCcmb6SiE_9PYlVsCBhI9SXVZ9uc3rKVk-HHc48wyNtu3cH5G5CFaq1WFII2ASg7b73RmiQcYEvuTR4GePTUutYC-jroG5TZy37MI-iRuVtblrSjyWGot0H4oKbDAPajxfQiDFWSWpQn/s1600/za+blog-zeleni1.jpg" style="cursor: pointer; display: block; height: 324px; margin: 0px auto 10px; text-align: center; width: 641px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge0rCRlhSOfOFeGIIYGzlxUIwW9x7eECbYTIwg5kZVMdFlMqAFBzA3QMekePceo6D6xEq_1Eg4uyUrLwZDNkaxp3UFFplkUjwcl62xkmMtfP5jYRjd6NwE8xUmKoLFW2gE1R593rTCBAyM/s400/Ceca-Georgieva01.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge0rCRlhSOfOFeGIIYGzlxUIwW9x7eECbYTIwg5kZVMdFlMqAFBzA3QMekePceo6D6xEq_1Eg4uyUrLwZDNkaxp3UFFplkUjwcl62xkmMtfP5jYRjd6NwE8xUmKoLFW2gE1R593rTCBAyM/s400/Ceca-Georgieva01.jpg" style="cursor: hand; cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC81cYkzWY8tgM8nzOvjRramGz37C-TtZsCF2rJ1O6oeKbIc5xrZfY2p_Nr6WVLggrowaOg-W9RRT-1eEV7S43ZrtSSwUcaN6cjauFiJ4-lWvEFsqBctvbIaQxeGxHtTt5VmlMLp5-Oj9A/s400/Ceca-Georgieva02.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC81cYkzWY8tgM8nzOvjRramGz37C-TtZsCF2rJ1O6oeKbIc5xrZfY2p_Nr6WVLggrowaOg-W9RRT-1eEV7S43ZrtSSwUcaN6cjauFiJ4-lWvEFsqBctvbIaQxeGxHtTt5VmlMLp5-Oj9A/s400/Ceca-Georgieva02.jpg" style="cursor: hand; cursor: pointer; display: block; height: 332px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs1wIr-eUfFR8azCeX1k91y8ONKzCJtPoNu9BgzCfbFcs6NYUtDgPY5nlzxjaAjrbsX9WJryX0Z2KMzcTuezLE2xoIa9ayEzbnK8ddwyI2860Ko1pLpoI91o_L6NHMFfdIWS1BfMZK1IYP/s400/28.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs1wIr-eUfFR8azCeX1k91y8ONKzCJtPoNu9BgzCfbFcs6NYUtDgPY5nlzxjaAjrbsX9WJryX0Z2KMzcTuezLE2xoIa9ayEzbnK8ddwyI2860Ko1pLpoI91o_L6NHMFfdIWS1BfMZK1IYP/s400/28.jpg" style="cursor: pointer; display: block; height: 459px; margin: 0px auto 10px; text-align: center; width: 402px;" /></a><span style="color: #666666; font-family: courier new;">Ecco alcuni nuovi lavori dell'artista bulgara </span><a href="http://cecageorgieva.blogspot.com/" style="color: #666666; font-family: courier new;">Ceca Georgieva</a><span style="font-family: courier new;"> / <span style="color: silver; font-style: italic;">Here they are the new works by Bulgarian artist </span></span><a href="http://cecageorgieva.blogspot.com/" style="color: silver; font-family: courier new; font-style: italic;">Ceca Georgieva</a>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-53940715338284605112012-01-27T14:12:00.004+01:002012-05-17T11:45:14.724+02:00Piante d'Architettura_Gunnera manicata_Architectural Plants<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKeeQ82K3QftHH_8o7g-3Ec-EAzYVSzS1wfk0DROw7wGVJzCuBxFMipIhxypaLWe-iiQrlkY5PS3oN-mIFB7RfXh6ZIVICZc9mS4wHBMqyd07CHMch8N3Xl2GAfgcBoqn8ebNl9UCiXonb/s1600/gunnera+manicata.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5702311696950714514" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKeeQ82K3QftHH_8o7g-3Ec-EAzYVSzS1wfk0DROw7wGVJzCuBxFMipIhxypaLWe-iiQrlkY5PS3oN-mIFB7RfXh6ZIVICZc9mS4wHBMqyd07CHMch8N3Xl2GAfgcBoqn8ebNl9UCiXonb/s400/gunnera+manicata.jpg" style="cursor: pointer; display: block; height: 187px; margin: 0px auto 10px; text-align: center; width: 565px;" /></a><br />
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<span style="color: #666666;">La Gunnera manicata è una pianta perenne a portamento cespitoso che nelle zone di origine si trova zone molto umide (margini di fiumi e torrenti). Presenta foglie molto grandi, simili al rabarbaro. I fiori sono minuscoli, color giallo verdastro, riuniti in pannocchie o in dense spighe erette, simili a spazzole; i fiori basali sono normalmente femminili, quelli superiori maschili, quelli nel mezzo a volte bisessuali /</span> <i style="color: silver; font-family: courier new; font-style: italic;">Gunnera manicata</i><span style="color: silver; font-family: courier new; font-style: italic;">, or giant rhubarb, a native of Brazil, is an</span><span style="color: silver;"> ornamental plant of the </span><a href="http://en.wikipedia.org/wiki/Gunneraceae" style="color: silver; font-family: courier new; font-style: italic;" title="Gunneraceae">Gunneraceae</a><span style="color: silver; font-family: courier new; font-style: italic;"> family. The underside of the leaf and the whole stalk have spikes on them. The leaves of Gunnera grow to an impressive size. Leaves with diameters well in excess of four feet are commonplace, with a spread of 10 feet by 10 feet on a mature plant. This plant grows best in damp conditions e.g. by the side of garden ponds, but dislikes winter cold and wet. Cover the plant with its own dead foliage to protect the crown in winter. Despite the common name, this plant is not edible.</span></div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0tag:blogger.com,1999:blog-5680210024994812433.post-14967057846992148352012-01-27T14:03:00.002+01:002012-05-17T11:45:29.936+02:00Spanish blooming<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7hli0giHcw2FEz-lPYHsBDPowo-HStfYYBT3MctZSm6qO5L1E6uhBMRVaVNNCShnBOKAlZrgbjNzK4HPxqE7nZoYVONf9X_3hnI-nOM1ESb-_Ng1Q2a0rOkF5MKP8epoNiFg1TmFuoHGN/s1600/SPANISH+BLOOM.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5702297175999142674" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7hli0giHcw2FEz-lPYHsBDPowo-HStfYYBT3MctZSm6qO5L1E6uhBMRVaVNNCShnBOKAlZrgbjNzK4HPxqE7nZoYVONf9X_3hnI-nOM1ESb-_Ng1Q2a0rOkF5MKP8epoNiFg1TmFuoHGN/s400/SPANISH+BLOOM.jpg" style="cursor: pointer; display: block; height: 143px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
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Giardini ribelli si sposta in Spagna / Rebel gardens moving to Spain</div>Giardini Ribellihttp://www.blogger.com/profile/02843703881839292329noreply@blogger.com0